<em>All of Us Strangers</em> Confronts the Dangers of Spinning Trauma Into Art

All of Us Strangers Confronts the Dangers of Spinning Trauma Into Art

Andrew Quintana on Director Andrew Haigh’s New Masterpiece

By Andrew Quintana | December 21, 2023

How Long Will <em>Schindler’s List</em> Endure as a Public Memorial to The Holocaust?

How Long Will Schindler’s List Endure as a Public Memorial to The Holocaust?

Paul Morton Revisits Spielberg’s Controversial Film, 30 Years Later

By Paul Morton | December 20, 2023

The Woefully Neglected (and Partially Unfilmable) Creations of Alasdair Gray

The Woefully Neglected (and Partially Unfilmable) Creations of Alasdair Gray

Jonathan Russell Clark on Poor Things and Its Adaptation

By Jonathan Russell Clark | December 19, 2023

John F. Kennedy’s Last Movie: <em>From Russia with Love</em>

John F. Kennedy’s Last Movie: From Russia with Love

“Kennedy proclaimed his love for James Bond whenever he could.”

By Stanley Schtinter | December 18, 2023

More Than a Satire: <em>American Fiction</em> is a Poignant Reflection on Existence

More Than a Satire: American Fiction is a Poignant Reflection on Existence

Olivia Rutigliano on the New Film from Cord Jefferson

By Olivia Rutigliano | December 15, 2023

<em>Ferrari</em> Performs an Opera of Capitalism and Comes Up Loud

Ferrari Performs an Opera of Capitalism and Comes Up Loud

Frank Falisi on Michael Mann’s new film

By Frank Falisi | December 15, 2023

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Sarcasm as Global Export; Or an Ode to Matthew Perry’s Chandler Bing

By Shaan Sachdev | December 14, 2023

Growing Up in Taylor Swift’s America

By Kelly Marie Coyne | December 14, 2023

What’s Old is New Again (and Again): On the Cyclical Nature of Nostalgia

By Tobias Becker | December 13, 2023

Rumaan Alam on the Surreality of Seeing <em>Leave the World Behind</em> Come to Life on Screen

Rumaan Alam on the Surreality of Seeing Leave the World Behind Come to Life on Screen

“I had a debilitating crush on Ethan Hawke as a teenager and now he’s playing a character I created. Deranged!”

By Rumaan Alam | December 8, 2023

When the Culture Wars Came for <em>Monty Python’s Life of Brian</em>

When the Culture Wars Came for Monty Python’s Life of Brian

“A film so funny they banned it in Norway!”

By Kliph Nesteroff | December 8, 2023

<em>Eileen</em> Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

Eileen Complicates the Relationship at the Heart of Ottessa Moshfegh’s Novel

Emmeline Clein Digs in to the New Adaptation, from Page to Screen

By Emmeline Clein | December 6, 2023

<em>Poor Things</em> is a Curious Phantasmagoria

Poor Things is a Curious Phantasmagoria

Olivia Rutigliano on Yorgos Lanthimos’s (Best) New Film

By Olivia Rutigliano | December 5, 2023

The Literary Film & TV You Need to Stream in December

The Literary Film & TV You Need to Stream in December

The End of the Year Approaches

By Emily Temple | December 1, 2023

Feminine Appetites in Todd Haynes’s <em>May December</em>

Feminine Appetites in Todd Haynes’s May December

Hannah Bonner on the Aesthetics of Tabloid Culture

By Hannah Bonner | December 1, 2023

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Considering Boom for Real: The Late-Teenage Years of Jean-Michel Basquiat While Walking Through Baltimore

By Mattilda Bernstein Sycamore | November 30, 2023

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