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Design
The Rumpus
is back!
By
Brittany Allen
| June 16, 2026
Five 70s-era queer magazines to revisit this Pride Month.
By
Brittany Allen
| June 15, 2026
What to read next if you loved
I Love Boosters.
By
Brittany Allen
| June 2, 2026
The 13 Best Book Covers of May
A Pretty Dark Spring
By
Emily Temple
| May 29, 2026
Who wants a $32,000 copy of
Runaway Bunny
?
Field notes from a visit to the Antiquarian Book Fair.
By
Brittany Allen
| May 1, 2026
The 11 Best Book Covers of April
April Showers
By
Emily Temple
| April 30, 2026
Best Reviewed
Books of the Week
Here’s what’s making us happy
this
week.
By
Brittany Allen
| April 17, 2026
The Center for the Art of Translation is getting a permanent home in San Francisco.
By
Brittany Allen
| April 15, 2026
The 13 Best Book Covers of March
By
Emily Temple
| March 30, 2026
Here’s what’s making us happy
this
week.
By
Brittany Allen
| March 13, 2026
The Authors Guild is allowing more writers to certify their books are AI-free.
By
James Folta
| March 5, 2026
Introducing Dirt Books, a Publishing Imprint For the 22nd Century
“The ideal Dirt Books title is a story that could not be told any other way.”
By
Brittany Allen
| March 5, 2026
The 12 Best Book Covers of February
Red, Red, Everywhere
By
Emily Temple
| February 27, 2026
Not-so-happy 100th birthday to Ireland’s Committee of Evil Literature.
By
Brittany Allen
| February 17, 2026
When a Book Cover Designer Writes a Book, Who Designs the Cover?
Oliver Munday and Chris Brand Discuss the Process Behind
Head of Household
By
Oliver Munday
| February 12, 2026
American
Woman
doll? Samantha is getting a grown-up novel.
By
Brittany Allen
| February 11, 2026
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Page 2 of 46
Why The Mechanic, not The Jackal, Is the Ultimate 1970s Movie Hitman
October 29, 2026
by
J.M. Berger
Richard Chizmar on horror, alter egos, and ending his Boogeyman series
October 29, 2026
by
John B. Valeri
Adam Plantinga on writing gritty, tough-guy protagonists in modern crime fiction
October 29, 2026
by
Adam Plantinga
The Best Reviewed Books of the Week
"A vivid, sometimes grisly, sometimes enraging portrait of 19th-century British society ... Probing and excellent."