How Black and White America Reacted to Maya Angelou’s I Know Why the Caged Bird Sings
Scott W. Stern on the Reception of an American Classic and the Birth of a Renaissance of Black Women Writers
By Scott W. Stern | January 28, 2025
By Gabrielle Bellot | January 28, 2025
By The Critic and Her Publics | January 28, 2025
Edith Wharton and the Clarifying Rage of the Menopausal Writer
By Deborah Williams | January 24, 2025
A Self-Made Myth: How Edith Wharton Rewrote Her Own Childhood
By Constance Roisin | January 24, 2025
Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?
By Kristen Arnett | January 23, 2025
Matter, That Curious and Complex Illusion: Grieving for the Dead in a Universe of Atoms
Guido Tonelli on the Human Urge to Honor the Dead
By Guido Tonelli | January 23, 2025
![Listening to Palestinian Silences: On Fady Joudah’s <em>[. . .]</em>](https://s26162.pcdn.co/wp-content/uploads/2025/01/Untitled-design-300x300.png)
Listening to Palestinian Silences: On Fady Joudah’s [. . .]
Eman Quotah Considers the Inability of Language to Convey the Horror of Genocide and Attempted Erasure
By Eman Quotah | January 22, 2025
Sara Sligar on Modernizing an 18th-Century Literary Cult Classic
Jane Ciabattari Talks to the Author of “Vantage Point”
By Jane Ciabattari | January 21, 2025
