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Happy Endings Redefined: Why There Should Be More Books About Breakups

Happy Endings Redefined: Why There Should Be More Books About Breakups

Hannah Sloane on the Romance Genre, Celebrating Being Single, and How She Wrote Her Debut Novel

By Hannah Sloane | November 10, 2023

Chin-Sun Lee on Writing Landcape

Chin-Sun Lee on Writing Landcape

"I know that wherever I am, when I stop to pay attention, some kind of story will emerge."

By Chin-Sun Lee | November 10, 2023

Abraham Verghese: A Writer in the World

Abraham Verghese: A Writer in the World

In Conversation on Sun Valley Writers’ Conference’s Beyond the Page

By Sun Valley Writers' Conference | November 10, 2023

Stephanie Land On Allowing Herself To Get Angry

Stephanie Land On Allowing Herself To Get Angry

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 9, 2023

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

In Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2023

Reese Hogan on Sentience, Humanity, and Robots

Reese Hogan on Sentience, Humanity, and Robots

In Conversation with Brenda Noiseux & Rob Wolf on the New Books Network

By New Books Network | November 9, 2023

Best Reviewed
Books of the Week

  • The Things We Never Say
  • John of John
  • Ghost Stories: A Memoir
  • The Hill
  • Look What You Made Me Do
  • Backtalker: An American Memoir
  • Mighty Real: A History of LGBTQ Music, 1969-2000
  • Glyph
  • The Village on the Edge of the World: Writing and Surviving in Ceausescu's Romania
  • Dog Days

Robin Lane Fox on Why We Still Read Homer

By History of Literature | November 8, 2023

Why Naoise Dolan Learned Italian for Her Book Tour

By Naoise Dolan | November 7, 2023

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

By Stephanie Land | November 7, 2023

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

On Crime Storytelling and Why Aiming for Closure Can Be Problematic

By Lindsay Hunter | November 7, 2023

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Salar Abdoh on Love, War and the Historical Forces That Inspire Art

By Salar Abdoh | November 7, 2023

Marina Abramović on Her Expansive View of Art-Making

Marina Abramović on Her Expansive View of Art-Making

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 7, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

"I may not know exactly where I’m going when I start a piece of writing, but I’m sure I can find my way"

By Virginia Pye | November 6, 2023

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 6, 2023

Shane McCrae on the Music of the Poetic Line

Shane McCrae on the Music of the Poetic Line

"Good poets take advantage of opportunities to make meter mean."

By Shane McCrae | November 3, 2023

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    • How to Recreate the Techniques of Horror Films in a NovelJune 2, 2026 by Claire Fuller
    • The Men Who Sold the Long-Lost Treasures of Cambodia's Khmer EmpireJune 2, 2026 by Matthew Campbell
    • Co-Writing a Cold War Thriller With My Father – Forty Years After His DeathJune 2, 2026 by Beau L'Amour
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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