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On the <em>I Ching</em> as a Writing Guide

On the I Ching as a Writing Guide

How the Ancient Chinese Divination Text Helped Heinz Insu Fenkl Write His Novel

By Heinz Insu Fenkl | February 16, 2023

A Bizarre Pattern of Bridges: How—and Why—Baudelaire Showed Up Throughout My Fiction

A Bizarre Pattern of Bridges: How—and Why—Baudelaire Showed Up Throughout My Fiction

Gunnhild Øyehaug on Paying Homage to Literary Legends

By Gunnhild Øyehaug | February 15, 2023

Chani Nicholas on Writing (and Astrology) as a Response to Trauma

Chani Nicholas on Writing (and Astrology) as a Response to Trauma

In Conversation with Mira Jacob on Thresholds

By Thresholds | February 15, 2023

“A Plethora of Answers.” Black Music as Nourishment and Inspiration

“A Plethora of Answers.” Black Music as Nourishment and Inspiration

Janelle M. Williams on the Entry Point to the Self

By Janelle M. Williams | February 15, 2023

Lit Hub’s Guide to Sex in the 21st Century

Lit Hub’s Guide to Sex in the 21st Century

The History of, the Study of, the Writing of, and Just Doing It

By Literary Hub | February 14, 2023

How to Love a Writer: On the Care and Feeding of a Creative Marriage

How to Love a Writer: On the Care and Feeding of a Creative Marriage

Jess deCourcy Hinds Wonders How Literary Couples Make It Work

By Jess deCourcy Hinds | February 14, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

In Praise of the Campus Novel: Daisy Alpert Florin on Fiction and Self-Discovery

By Daisy Alpert Florin | February 14, 2023

Ana Reyes on How Psychology Drives Good Fiction

By Memoir Nation | February 14, 2023

How Not to Lose Hope: Alternate Histories and the Real World

By Paz Pardo | February 14, 2023

Asale Angel-Ajani on the Push and Pull of Mother-Daughter Relationships

Asale Angel-Ajani on the Push and Pull of Mother-Daughter Relationships

Jane Ciabattari Talks to the Author of A Country You Can Leave

By Jane Ciabattari | February 14, 2023

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

In Conversation with Martin Riker, Patrick Bringley, Sonora Jha, Priya Guns, and Melinda Moustakis

By Teddy Wayne | February 14, 2023

All Writing is Failure: Stephen Marche on Enduring the Life of a Writer

All Writing is Failure: Stephen Marche on Enduring the Life of a Writer

In Conversation with Andrew Keen on Keen On

By Keen On | February 14, 2023

“Do I Want to Spend the Next Seven Years Thinking About One White Dude?” Jac Jemc on Writing About Iconic Royal Cousins

“Do I Want to Spend the Next Seven Years Thinking About One White Dude?” Jac Jemc on Writing About Iconic Royal Cousins

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | February 14, 2023

Kathryn Ma on Portraying Asian-Americans Positively and the “Messiness That is Life in Any Community”

Kathryn Ma on Portraying Asian-Americans Positively and the “Messiness That is Life in Any Community”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 13, 2023

Helen Sword on the Physicality of Language

Helen Sword on the Physicality of Language

“Because I can no longer ignore my body while I’m writing, I have learned to trust its wisdom.”

By Helen Sword | February 10, 2023

The Strangest Things Are the Truest: Laline Paull on Channeling a Dolphin’s Narrative Voice

The Strangest Things Are the Truest: Laline Paull on Channeling a Dolphin’s Narrative Voice

“We hope and we fear that animals are more like us than we imagine.”

By Laline Paull | February 10, 2023

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    • The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant TodayJanuary 12, 2026 by Margot Douaihy
    • The Deadly Art of Falling in Love: Blending Romance and Crime in LiteratureJanuary 12, 2026 by Letizia Lorini
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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