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Paula Hawkins on Creating a Strong Story Structure

Paula Hawkins on Creating a Strong Story Structure

“Give yourself space for surprises.”

By Paula Hawkins | July 21, 2023

The Unique Challenges of Translating <em>The Brothers Karamazov</em> Into English

The Unique Challenges of Translating The Brothers Karamazov Into English

Michael R. Katz on Creating the First New Translation of Dostoevsky’s Novel in Two Decades

By Michael R. Katz | July 21, 2023

Michael Connelly on His Path to the Top of the Crime Fiction World

Michael Connelly on His Path to the Top of the Crime Fiction World

The Author of Desert Star Talks to Ona Russell in the New Season of Authors in the Tent

By Authors in the Tent | July 20, 2023

Sarah Rose Etter on Tech Companies, NDAs, and the Precarity of a Job

Sarah Rose Etter on Tech Companies, NDAs, and the Precarity of a Job

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | July 20, 2023

Why America’s Blood-Sucking Lords of Silicon Valley Want to Live Forever

Why America’s Blood-Sucking Lords of Silicon Valley Want to Live Forever

In Conversation with Andrew Keen on Keen On

By Keen On | July 20, 2023

You Have to Embrace the Doubt Before You Can Claim Your Authority as a Writer

You Have to Embrace the Doubt Before You Can Claim Your Authority as a Writer

From Poet Jennifer Grotz’s Bennington MFA Commencement Speech

By Jennifer Grotz | July 20, 2023

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

Nishanth Injam on Leaving India, the Misery of Tech Work and the Subversive Nature of Memories

By Keen On | July 20, 2023

Colson Whitehead on Blaxploitation Cinema, Sidney Lumet’s New York, and His Own Harlem Trilogy

By Dwyer Murphy | July 19, 2023

In Praise of Destruction: How Embracing Elimination Can Make Our Writing Better

By Stephanie Bishop | July 18, 2023

Chuck Tingle on How Writing is Like Driving, Being an Autistic Artist, and More

Chuck Tingle on How Writing is Like Driving, Being an Autistic Artist, and More

The Author of Camp Damascus Takes the Lit Hub Questionnaire

By Literary Hub | July 17, 2023

The Old Becomes the New: Lawrence Sutin on the Art of Transforming Books

The Old Becomes the New: Lawrence Sutin on the Art of Transforming Books

“The freedom of erasure is its greatest allure.”

By Lawrence Sutin | July 17, 2023

Stephen Buoro on How <em>A Clockwork Orange</em> Shook His World

Stephen Buoro on How A Clockwork Orange Shook His World

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 17, 2023

Kellye Garrett Talks About the Idea of Community as Muse

Kellye Garrett Talks About the Idea of Community as Muse

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | July 17, 2023

Shin Yu Pai on Ten Thousand Things and the Asian-American Experience

Shin Yu Pai on Ten Thousand Things and the Asian-American Experience

From The History of Literature Podcast with Jacke Wilson

By History of Literature | July 17, 2023

Megan Fernandes on the Literary Uses of a Room

Megan Fernandes on the Literary Uses of a Room

"Rooms are springboards for time and time is for the poets."

By Megan Fernandes | July 14, 2023

Many Voices, Many Truths: On the Benefits of Polyvocal Stories

Many Voices, Many Truths: On the Benefits of Polyvocal Stories

How Hannah Michell Transcends the Single Perspective

By Hannah Michell | July 14, 2023

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Page 78 of 263
    • William J. Mann on Rumors, the Press, and the Black Dahlia Murder's Enigmatic PlayersJanuary 27, 2026 by William J. Mann
    • Val McDermid on Why She Starts New Novels in JanuaryJanuary 27, 2026 by Val McDermid
    • How Agatha Christie Played the "Game-within-the-Game" in 'The Murder of Roger Ackroyd'January 27, 2026 by John Curran
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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