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A Queer Reimagining of James Joyce's <em>Ulysses</em> in Northern England

A Queer Reimagining of James Joyce's Ulysses in Northern England

Helen Palmer on Why She Chose 1990s Blackpool for the Setting of Pleasure Beach

By Helen Palmer | July 26, 2023

Mihret Sibhat on the Stories Our Names Tell

Mihret Sibhat on the Stories Our Names Tell

"When writing, I am reminded that understanding is the path to transformation for all."

By Mihret Sibhat | July 26, 2023

Roxane Gay on How She Arrived at Herself

Roxane Gay on How She Arrived at Herself

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | July 25, 2023

The Burden of Truth: Fictionalizing My Father’s Years at a Federal Leprosy Treatment Center

The Burden of Truth: Fictionalizing My Father’s Years at a Federal Leprosy Treatment Center

Wendy Chin-Tanner on the Dual Gaze Required to Write a Novel Inspired by True Events

By Wendy Chin-Tanner | July 25, 2023

Ben Hinshaw on the “Strange Channeling” of Writing

Ben Hinshaw on the “Strange Channeling” of Writing

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 25, 2023

Jasmine Lee-Jones on Lorraine Hansberry's <em>A Raisin in the Sun</em>

Jasmine Lee-Jones on Lorraine Hansberry's A Raisin in the Sun

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 25, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Jack Zipes on the Political Potential of Fairy Tales

By History of Literature | July 24, 2023

What Completism Can Teach Us About the Creative Process

By Rhian Sasseen | July 24, 2023

Alice Elliott Dark on the Moral Argument of Fiction

By First Draft: A Dialogue on Writing | July 24, 2023

Ben Purkert on the Art of Writing Unlikable Characters

Ben Purkert on the Art of Writing Unlikable Characters

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | July 24, 2023

Paula Hawkins on Creating a Strong Story Structure

Paula Hawkins on Creating a Strong Story Structure

“Give yourself space for surprises.”

By Paula Hawkins | July 21, 2023

The Unique Challenges of Translating <em>The Brothers Karamazov</em> Into English

The Unique Challenges of Translating The Brothers Karamazov Into English

Michael R. Katz on Creating the First New Translation of Dostoevsky’s Novel in Two Decades

By Michael R. Katz | July 21, 2023

Michael Connelly on His Path to the Top of the Crime Fiction World

Michael Connelly on His Path to the Top of the Crime Fiction World

The Author of Desert Star Talks to Ona Russell in the New Season of Authors in the Tent

By Authors in the Tent | July 20, 2023

Sarah Rose Etter on Tech Companies, NDAs, and the Precarity of a Job

Sarah Rose Etter on Tech Companies, NDAs, and the Precarity of a Job

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | July 20, 2023

Why America’s Blood-Sucking Lords of Silicon Valley Want to Live Forever

Why America’s Blood-Sucking Lords of Silicon Valley Want to Live Forever

In Conversation with Andrew Keen on Keen On

By Keen On | July 20, 2023

You Have to Embrace the Doubt Before You Can Claim Your Authority as a Writer

You Have to Embrace the Doubt Before You Can Claim Your Authority as a Writer

From Poet Jennifer Grotz’s Bennington MFA Commencement Speech

By Jennifer Grotz | July 20, 2023

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    • 5 Great Japanese Mysteries and Horror NovelsFebruary 3, 2026 by Callie Kazumi
    • From Lagos to the American South: 5 Great Thrillers by Black WritersFebruary 3, 2026 by Leodora Darlington
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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