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Punished for Pregnancy: On the Radical Power of <em>The Millstone</em> by Margaret Drabble in a Post-Roe World

Punished for Pregnancy: On the Radical Power of The Millstone by Margaret Drabble in a Post-Roe World

Carrie Mullins Recommends a 1960s British Novel for Present-Day America

By Carrie Mullins | May 8, 2024

Writing With “Sprezz.” On the Art of Saying Just Enough

Writing With “Sprezz.” On the Art of Saying Just Enough

Magdalena Zyzak Wonders If It’s Possible to Craft Effortlessly Cool Prose

By Magdalena Zyzak | May 7, 2024

A Daughter Becomes a Mother: On Inhabiting Both Roles in Fiction and in Life

A Daughter Becomes a Mother: On Inhabiting Both Roles in Fiction and in Life

Heidi Reimer: “A mother is also a daughter. A daughter may eventually become a mother. Then, forever, she is both."

By Heidi Reimer | May 6, 2024

On Memoir, Permission, and the Thorny Terrain of Writing About Family

On Memoir, Permission, and the Thorny Terrain of Writing About Family

Jane Wong: “My father wrote half of me into being, I suppose. My mother wrote the other half.”

By Jane Wong | May 6, 2024

Steve Almond on the Magic and the Craft of Storytelling

Steve Almond on the Magic and the Craft of Storytelling

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 6, 2024

Claire Jiménez on the Hardest Emotion to Write

Claire Jiménez on the Hardest Emotion to Write

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | May 6, 2024

Best Reviewed
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  • The Rest of Our Lives
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  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

I Don’t Want to Talk to My Coworker About Their Stupid Writing: Am I the Literary Asshole?

By Kristen Arnett | May 2, 2024

Boel Westin on Tove Jansson

By History of Literature | May 2, 2024

Hero of a Cult of One: On Loving Cormac McCarthy’s Early Work

By Jason K. Friedman | May 1, 2024

Rachel Khong on the Power and Potential of Not Knowing

Rachel Khong on the Power and Potential of Not Knowing

Nicole Chung Talks to the Author of “Real Americans”

By Nicole Chung | April 30, 2024

Closing the Literary Circle: Marc Berley on Editing the Work of Gordon Lish

Closing the Literary Circle: Marc Berley on Editing the Work of Gordon Lish

"No one, I learned, appreciates the care and effort of an editor more than Lish."

By Marc Berley | April 29, 2024

Anne Lamott on Secrets

Anne Lamott on Secrets

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 29, 2024

Elwin Cotman on Creating New Forms

Elwin Cotman on Creating New Forms

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 29, 2024

Nell Irvin Painter on Writing About Anything (and Everything)

Nell Irvin Painter on Writing About Anything (and Everything)

A Call to Authors and Publishers Alike

By Nell Irvin Painter | April 26, 2024

Gareth Russell on Hampton Court

Gareth Russell on Hampton Court

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 25, 2024

How Music and Verse Can Spark Literary Passion in Reluctant Readers

How Music and Verse Can Spark Literary Passion in Reluctant Readers

Alicia D. Williams on the Many Written and Oral Forms a Story Can Take

By Alicia D. Williams | April 24, 2024

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Page 55 of 263
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • Sherlock Holmes and Me—Together AgainFebruary 4, 2026 by Jeffrey Siger
    • Isabelle Schuler on the Horrors and Contrasts of the 17th CenturyFebruary 4, 2026 by Isabelle Schuler
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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