How Much is Enough? On the Writerly Balance Between Money and Time

How Much is Enough? On the Writerly Balance Between Money and Time

For Novelist Ryan Chapman, “There are wants, and there are needs.”

By Ryan Chapman | April 19, 2024

An Oasis in the Desert: Why Libraries Are the Best Places to Write

An Oasis in the Desert: Why Libraries Are the Best Places to Write

Rahul Mehta Considers the Virtues of Public Space as Writing Space

By Rahul Mehta | April 19, 2024

Writing As Labor: Doing More With Less, Together

Writing As Labor: Doing More With Less, Together

David Hill on the Myth of the Middle Class Writer

By David Hill | April 18, 2024

My “Friend” Keeps Sending Me Their Writing and I Need It To Stop: Am I the Literary Asshole?

My “Friend” Keeps Sending Me Their Writing and I Need It To Stop: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | April 18, 2024

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

“For most of my life, I’ve suffered in shame and silence while the men who hurt me got away scot-free.”

By Ethel Rohan | April 18, 2024

The Money Diaries: Real Writers, Real Budgets

The Money Diaries: Real Writers, Real Budgets

What Writers Spend in a Week of Their Lives

By Literary Hub | April 17, 2024

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  • The Pelican Child: Stories
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  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

In Service: Writers on Making Ends Meet in the Service Industry

By Literary Hub | April 17, 2024

Why Television Can Be Our Best Writing Teacher

By Christine Ma-Kellams | April 17, 2024

Margot Livesey on Thomas Hardy's Mistakes

By History of Literature | April 17, 2024

The Sound of C: On Giving a Voice to the Words of Others

The Sound of C: On Giving a Voice to the Words of Others

Lissa Soep Chronicles the Process of Creating an Emotionally Authentic Audiobook

By Lissa Soep | April 16, 2024

Brianna Pastor Had to Write About Her Grief and Shame to Begin Healing

Brianna Pastor Had to Write About Her Grief and Shame to Begin Healing

The Author of “Good Grief” on the Bittersweet Experience of Writing Her Poetry Collection

By Brianna Pastor | April 16, 2024

How To Write Egoless Prose, At Least For a Little While

How To Write Egoless Prose, At Least For a Little While

Steve Almond Offers Some Strategies to Help Make Writer’s Block Work For You

By Steve Almond | April 15, 2024

Julia Alvarez on Mortality

Julia Alvarez on Mortality

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 15, 2024

John McMurtrie on the State of the Book Review

John McMurtrie on the State of the Book Review

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 15, 2024

50 Ways to End a Poem

50 Ways to End a Poem

Emily Skaja Has Some Recommendations for Making a Strong Exit

By Emily Skaja | April 12, 2024

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”

By George Makari | April 11, 2024

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