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  • Craft and Criticism
    • Literary Criticism
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    • On Translation
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Facing That Which Haunts You: Ethel Rohan on Writing About Grief

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

“For most of my life, I’ve suffered in shame and silence while the men who hurt me got away scot-free.”

By Ethel Rohan | April 18, 2024

The Money Diaries: Real Writers, Real Budgets

The Money Diaries: Real Writers, Real Budgets

What Writers Spend in a Week of Their Lives

By Literary Hub | April 17, 2024

In Service: Writers on Making Ends Meet in the Service Industry

In Service: Writers on Making Ends Meet in the Service Industry

“It’s easy to remain clueless about how the world works for most people.”

By Literary Hub | April 17, 2024

Why Television Can Be Our Best Writing Teacher

Why Television Can Be Our Best Writing Teacher

Christine Ma-Kellams on What She’s Learned From the Small Screen

By Christine Ma-Kellams | April 17, 2024

Margot Livesey on Thomas Hardy's Mistakes

Margot Livesey on Thomas Hardy's Mistakes

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 17, 2024

The Sound of C: On Giving a Voice to the Words of Others

The Sound of C: On Giving a Voice to the Words of Others

Lissa Soep Chronicles the Process of Creating an Emotionally Authentic Audiobook

By Lissa Soep | April 16, 2024

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Brianna Pastor Had to Write About Her Grief and Shame to Begin Healing

By Brianna Pastor | April 16, 2024

How To Write Egoless Prose, At Least For a Little While

By Steve Almond | April 15, 2024

Julia Alvarez on Mortality

By First Draft: A Dialogue on Writing | April 15, 2024

John McMurtrie on the State of the Book Review

John McMurtrie on the State of the Book Review

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 15, 2024

50 Ways to End a Poem

50 Ways to End a Poem

Emily Skaja Has Some Recommendations for Making a Strong Exit

By Emily Skaja | April 12, 2024

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”

By George Makari | April 11, 2024

Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media

Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media

Henriette Lazaridis on Rachel Cusk, “My Big Fat Greek Wedding,” and Writing a Novel Where Greeks Speak for Themselves

By Henriette Lazaridis | April 11, 2024

Against Journaling: Dennis Tang on the Joys of Not Writing It All Down

Against Journaling: Dennis Tang on the Joys of Not Writing It All Down

“Don’t be afraid of losing touch with the past. After all, you were there, living it.”

By Dennis Tang | April 11, 2024

Phil Jones on Why We Read Samuel Johnson

Phil Jones on Why We Read Samuel Johnson

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 11, 2024

Real People, Real Pain: On the Ethics of Telling True Stories of Trauma

Real People, Real Pain: On the Ethics of Telling True Stories of Trauma

Philip Eil Considers the Potentially Sensitive Nature of Book Promotion

By Philip Eil | April 10, 2024

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Page 52 of 259
    • A Brief History of Computer CrimeNovember 25, 2025 by Robert T. Kelley
    • Atmospheric Settings in Murder MysteriesNovember 25, 2025 by S.D. House
    • Chasing the Memory of a Grandfather Who Faked His Own DeathNovember 25, 2025 by Kathy Bingham Turner and Leon Alligood
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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