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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
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    • From the Novel
    • Poem
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    • Thresholds
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Gareth Russell on Hampton Court

Gareth Russell on Hampton Court

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 25, 2024

How Music and Verse Can Spark Literary Passion in Reluctant Readers

How Music and Verse Can Spark Literary Passion in Reluctant Readers

Alicia D. Williams on the Many Written and Oral Forms a Story Can Take

By Alicia D. Williams | April 24, 2024

When Writing Your Novel (Maybe) Manifests Your Breakup

When Writing Your Novel (Maybe) Manifests Your Breakup

Hazel Hayes on Seeing Her Characters’ Relationship Problems Mirror Her Own

By Hazel Hayes | April 24, 2024

The Pilgrim’s (Lack of) Progress, Or, Sorry I Took So Long to Finish My Novel, Or, On the Value of Restarting

The Pilgrim’s (Lack of) Progress, Or, Sorry I Took So Long to Finish My Novel, Or, On the Value of Restarting

Justin Taylor on the Book He Started Writing in 2014

By Justin Taylor | April 23, 2024

Yan Lianke Wants You to Stop Describing Him As China’s Most Censored Author

Yan Lianke Wants You to Stop Describing Him As China’s Most Censored Author

On State Censorship, Artistic Integrity, and the Market Forces Behind Local and Global Publishing

By Yan Lianke | April 23, 2024

Sasha Vasilyuk on the Price of Secrecy in Russia and Ukraine

Sasha Vasilyuk on the Price of Secrecy in Russia and Ukraine

Jane Ciabattari Talks to the Author of “Your Presence Is Mandatory”

By Jane Ciabattari | April 23, 2024

Best Reviewed
Books of the Week

  • Joyride: A Memoir
  • A Guardian and a Thief
  • Minor Black Figures
  • True Nature: The Pilgrimage of Peter Matthiessen
  • The Wayfinder
  • Unabridged: The Thrill of (and Threat To) the Modern Dictionary

Marie Mutsuki Mockett on Writing About Sex

By First Draft: A Dialogue on Writing | April 22, 2024

Stacey D'Erasmo on the Art of Intimacy

By Memoir Nation | April 22, 2024

How Much is Enough? On the Writerly Balance Between Money and Time

By Ryan Chapman | April 19, 2024

An Oasis in the Desert: Why Libraries Are the Best Places to Write

An Oasis in the Desert: Why Libraries Are the Best Places to Write

Rahul Mehta Considers the Virtues of Public Space as Writing Space

By Rahul Mehta | April 19, 2024

Writing As Labor: Doing More With Less, Together

Writing As Labor: Doing More With Less, Together

David Hill on the Myth of the Middle Class Writer

By David Hill | April 18, 2024

My “Friend” Keeps Sending Me Their Writing and I Need It To Stop: Am I the Literary Asshole?

My “Friend” Keeps Sending Me Their Writing and I Need It To Stop: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | April 18, 2024

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

“For most of my life, I’ve suffered in shame and silence while the men who hurt me got away scot-free.”

By Ethel Rohan | April 18, 2024

The Money Diaries: Real Writers, Real Budgets

The Money Diaries: Real Writers, Real Budgets

What Writers Spend in a Week of Their Lives

By Literary Hub | April 17, 2024

In Service: Writers on Making Ends Meet in the Service Industry

In Service: Writers on Making Ends Meet in the Service Industry

“It’s easy to remain clueless about how the world works for most people.”

By Literary Hub | April 17, 2024

Why Television Can Be Our Best Writing Teacher

Why Television Can Be Our Best Writing Teacher

Christine Ma-Kellams on What She’s Learned From the Small Screen

By Christine Ma-Kellams | April 17, 2024

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