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Alejandro Antonio Ruiz on the Best YA Audiobooks of 2024

Alejandro Antonio Ruiz on the Best YA Audiobooks of 2024

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 15, 2024

Ekphrastic Influences: Derek Mong on Finding Inspiration at the Museum

Ekphrastic Influences: Derek Mong on Finding Inspiration at the Museum

“Something will enrage you and something will haunt you. And something will strike you as beautiful and true.”

By Derek Mong | December 13, 2024

Elizabeth Knowelden on the Best Romance Audiobooks of 2024

Elizabeth Knowelden on the Best Romance Audiobooks of 2024

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 12, 2024

Edoardo Ballerini on the Best Multi-Voice Audiobooks of 2024

Edoardo Ballerini on the Best Multi-Voice Audiobooks of 2024

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 12, 2024

Writers I Have Met; Or, On Learning That Cormac McCarthy Was a Creep

Writers I Have Met; Or, On Learning That Cormac McCarthy Was a Creep

Nathan Deuel Wonders What We Really Need From Our Literary Heroes

By Nathan Deuel | December 11, 2024

Moira Quirk on 2024's Best Science Fiction & Fantasy Audiobooks

Moira Quirk on 2024's Best Science Fiction & Fantasy Audiobooks

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 11, 2024

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

Jean Brassard on 2024's Best Mystery and Suspense Audiobooks

By Behind the Mic | December 10, 2024

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | December 10, 2024

Gabra Zackman on 2024's Best Nonfiction and Culture Audiobooks

By Behind the Mic | December 9, 2024

Anna Noyes on Knowing When to Give Up

Anna Noyes on Knowing When to Give Up

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 9, 2024

Faith Adiele on Hybrid Writing for Hybrid Lives

Faith Adiele on Hybrid Writing for Hybrid Lives

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | December 9, 2024

Pilgrimage: Beowulf Sheehan on Author Photos and the Search for Home

Pilgrimage: Beowulf Sheehan on Author Photos and the Search for Home

“Home, like history, is at once both expansive and incomplete, a necessary mystery.”

By Beowulf Sheehan | December 6, 2024

Seeing Life Through the Eyes of the Dead: A Short Handbook for Writing Ghosts

Seeing Life Through the Eyes of the Dead: A Short Handbook for Writing Ghosts

Muriel Leung Offers Some Tips for Crafting Fully-Fleshed Out Fictional Spirits

By Muriel Leung | December 5, 2024

Julia Whelan and the Best Fiction Audiobooks of 2024

Julia Whelan and the Best Fiction Audiobooks of 2024

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 5, 2024

I Don’t Want to Read Anymore: Am I the Literary Asshole?

I Don’t Want to Read Anymore: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | December 4, 2024

Tired of Today’s Tech: Writing Historical Fiction in a Technocratic American Present

Tired of Today’s Tech: Writing Historical Fiction in a Technocratic American Present

John Brandon on Coming to Terms with Contemporary Settings, How Technology Shapes Plots, and America’s Current Malaise

By John Brandon | December 4, 2024

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Page 48 of 331
    • On Crime Fiction As a
      Proxy for Real Life Justice
      February 24, 2026 by Christopher Huang
    • Danielle Girard on the Many Faces of Motherhood in Contemporary FictionFebruary 24, 2026 by Danielle Girard
    • The Author of 'How to Get Away with Murder' Was Surprised to Find Pieces of Herself in the StoryFebruary 24, 2026 by Rebecca Philipson
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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