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Clown School is Terrifying, But It Made Me a Better Writer

Clown School is Terrifying, But It Made Me a Better Writer

Alison Espach on Finding Her Inner Clown, Public Failure, and Interrogating Your Writing

By Alison Espach | July 30, 2024

Paolo Bacigalupi on Getting Re-inspired After Failed Projects

Paolo Bacigalupi on Getting Re-inspired After Failed Projects

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | July 29, 2024

Kevin Barry on Balancing Wildness and Control

Kevin Barry on Balancing Wildness and Control

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 29, 2024

Chaos Is My Co-Pilot: In Praise of Tumultuous, Unruly Storytelling

Chaos Is My Co-Pilot: In Praise of Tumultuous, Unruly Storytelling

Jen Fawkes on Discovering the Virtues of Volatility in Historical Fiction

By Jen Fawkes | July 26, 2024

Lost and Found: Why I Almost Quit Journalism (and What Brought Me Back)

Lost and Found: Why I Almost Quit Journalism (and What Brought Me Back)

Lauren Markham: “Becoming lost within my profession helped me find my way back again.”

By Lauren Markham | July 26, 2024

Phil Christman on the Poetics of Place

Phil Christman on the Poetics of Place

“I fear the obvious so much that my evasions of it have sometimes made me ridiculous.”

By Phil Christman | July 26, 2024

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

I’m Jealous of My Friend’s Writing Success: Am I the Literary Asshole?

By Kristen Arnett | July 25, 2024

Poetry’s Mysterious Power: A Conversation With Dara Barrois/Dixon

By Peter Mishler | July 25, 2024

On Writing—and Then Becoming—the “Other”

By Mathangi Subramanian | July 24, 2024

Jen Hadfield on Annie Dillard’s <em>Pilgrim at Tinker Creek</em>

Jen Hadfield on Annie Dillard’s Pilgrim at Tinker Creek

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 24, 2024

Lev Grossman on Adapting Arthurian Legends For a World in Turmoil

Lev Grossman on Adapting Arthurian Legends For a World in Turmoil

Jane Ciabattari Talks to the Author of “The Bright Sword”

By Jane Ciabattari | July 23, 2024

Joanna Pearson on Writing a Literary Whodunnit

Joanna Pearson on Writing a Literary Whodunnit

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 23, 2024

Naomi Klein on Being a Voice for Causes That Matter

Naomi Klein on Being a Voice for Causes That Matter

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | July 22, 2024

The Hard Art of Seeing Your Own Writing Through Rose-Colored Glasses

The Hard Art of Seeing Your Own Writing Through Rose-Colored Glasses

Mira Ptacin on Transforming One’s Inner Critic

By Mira Ptacin | July 22, 2024

Amitava Kumar on the Importance of Being an Amateur

Amitava Kumar on the Importance of Being an Amateur

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 22, 2024

Anna DeForest on Writing Without Artifice

Anna DeForest on Writing Without Artifice

"There is no one outside of the story, there is no place outside from which to tell it."

By Anna DeForest | July 19, 2024

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Page 47 of 263
    • Halle Berry Will Play the President of the United States in The President is MissingFebruary 4, 2026 by Olivia Rutigliano
    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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