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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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Author Profiles Are No Replacement for Book Criticism But I Love Them Anyway

Author Profiles Are No Replacement for Book Criticism But I Love Them Anyway

Maris Kreizman, in Praise of the Deep Dive

By Maris Kreizman | August 29, 2024

O.O. Sangoyomi and Rita Woods on Needing to Know Our History

O.O. Sangoyomi and Rita Woods on Needing to Know Our History

Tor Presents: Voyage Into Genre S04E03

By Tor Presents: Voyage into Genre | August 28, 2024

Rejecting Denial and Embracing Sorrow: On Writing the Story of a Husband’s Suicide

Rejecting Denial and Embracing Sorrow: On Writing the Story of a Husband’s Suicide

Alexandra Marshall Explores the Tension Between the Diverging Demands of Fiction and Memoir

By Alexandra Marshall | August 27, 2024

As a Writer, You Can Never Collect Too Many Endings

As a Writer, You Can Never Collect Too Many Endings

Steve Edwards on the Gathering of Life’s Infinite Moments

By Steve Edwards | August 27, 2024

Carl Phillips on His Love for Epigraphs

Carl Phillips on His Love for Epigraphs

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 26, 2024

Maggie Smith & Shze-Hui Tjoa on New Ways of Thinking About Memoir

Maggie Smith & Shze-Hui Tjoa on New Ways of Thinking About Memoir

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 26, 2024

Best Reviewed
Books of the Week

  • Joyride: A Memoir
  • A Guardian and a Thief
  • Minor Black Figures
  • True Nature: The Pilgrimage of Peter Matthiessen
  • The Wayfinder
  • Unabridged: The Thrill of (and Threat To) the Modern Dictionary

More Than a Muse: On Salvadoran Artist and Wife of Antoine, Consuelo de Saint-Exupéry

By Gina María Balibrera | August 23, 2024

Ledia Xhoga on the Joy and Pain of Letting Go (of Half Your Novel)

By Ledia Xhoga | August 23, 2024

If You Skip a Friend’s Book Launch Are You the Literary Asshole?

By Kristen Arnett | August 22, 2024

Glynne Walley on the Hakkenden

Glynne Walley on the Hakkenden

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 22, 2024

Writing Happiness: Why It’s Worth It to Look on the Bright Side of Stories

Writing Happiness: Why It’s Worth It to Look on the Bright Side of Stories

Maribeth Fischer on the Joys of Creating Joyful Fiction

By Maribeth Fischer | August 21, 2024

m. nourbeSe philip on Kamau Brathwaite's <em>Born to Slow Horses</em>

m. nourbeSe philip on Kamau Brathwaite's Born to Slow Horses

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | August 21, 2024

Lena Valencia on Chronicling the Beauty and Danger of the Desert

Lena Valencia on Chronicling the Beauty and Danger of the Desert

Jane Ciabattari Talks to the Author of “Mystery Lights”

By Jane Ciabattari | August 20, 2024

Danez Smith! Audre Lorde! Kwame Dawes! 27 new books out today.

Danez Smith! Audre Lorde! Kwame Dawes! 27 new books out today.

By Gabrielle Bellot | August 20, 2024

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

Liska Jacobs in Conversation with the Author of “Opacities”

By Liska Jacobs | August 19, 2024

Choose Your Own Adventure: On the Limits of Personal Agency in Migrant Fiction

Choose Your Own Adventure: On the Limits of Personal Agency in Migrant Fiction

Ruben Reyes Jr. Considers the Role of Systemic Power Structures Both On and Off the Page

By Ruben Reyes Jr. | August 19, 2024

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Page 37 of 256
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    • Dogs, Goats, Anteaters, Psychic Parrots: Cozy Mysteries Featuring Animals Other Than CatsOctober 22, 2025 by Allison Brook
    • Healing Homicides in One's Head: The Cathartic Experience of Writing Transgressive CharactersOctober 22, 2025 by Lyn Liao Butler
    • Joyride: A Memoir
    • The Best Reviewed Books of the Week
    • "Might be the best craft book on writing you will ever read It s not…"
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