Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Book Marks
CrimeReads
Log In
Craft and Advice
Elisa Gabbert on the Performance of Self in Poetry (Versus Prose)
In Conversation with Alex Higley and Lindsay Hunter on
I'm a Writer But
By
I'm a Writer But
| November 15, 2022
Meg Howrey on Speaking for Her Novel’s Protagonist
“I hope the little world that is me disappears under the different world that is her.”
By
Meg Howrey
| November 15, 2022
Stephanie Land on Putting the Pieces of Your Life Together and Finding Your Way
This Week on
Twitterverse
, a Show About Tweets and the Writers Who Send Them
By
Twitterverse
| November 15, 2022
Kevin Wilson on the Ease of Writing in the 90s and His New Novel,
Now is Not the Time to Panic
In Conversation with Christopher Hermelin on
So Many Damn Books
By
So Many Damn Books
| November 15, 2022
Writers Wrestle with Twitter: Do I Stay or Go (and Where?)
Jess deCourcy Hinds on the Literary Community’s Twitter Deathwatch
By
Jess deCourcy Hinds
| November 14, 2022
Su Cho on Beginning Her Poetic Journey
"I never intended to become a poet. It’s just that I was addicted to feeling things strongly and then feeling nothing at all."
By
Su Cho
| November 14, 2022
Best Reviewed
Books of the Week
David Yoon on Writing Racial Dynamics in YA Fiction
By
Memoir Nation
| November 14, 2022
Healing, Then Writing: Confronting Writer's Block in the Early Years of Sobriety
By
Matthew Quick
| November 14, 2022
Ross Gay: “It’s Never Been the Institutions, It’s Always Been Our Neighbor.”
By
First Draft: A Dialogue on Writing
| November 14, 2022
Christopher Isherwood on What Writers Can Learn from Theater
“The effects are created by means of claustrophobia:
you can’t get out.”
By
Christopher Isherwood
| November 11, 2022
Full Disclosure: Meghan J. Ward on Marriage, Motherhood, and Weighing the Truth in Memoir
“How do I honor, or even reclaim, my voice in this story without compromising my relationship with my loved ones?”
By
Meghan J. Ward
| November 11, 2022
Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| November 10, 2022
Writing Grief in Fiction is a Work of Love
Onyi Nwabineli on Giving Sorrow the Space to Grow and Expand
By
Onyi Nwabineli
| November 10, 2022
Stuck on Your Novel? Try Baking a Pie!
Amy Wallen on the Joy of Completing Something Creative
By
Amy Wallen
| November 10, 2022
Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts
Rebecca Ackermann on Learning to Write to a Soundtrack of Riffing Comedians
By
Rebecca Ackermann
| November 10, 2022
Sandra Simonds on Piecing Together Poetic Puzzles
Peter Mishler Talks with the Author of
Triptychs
By
Peter Mishler
| November 10, 2022
« First
‹ Previous
104
105
106
107
108
109
110
111
112
Next ›
Last »
Page 108 of 262
What Character Are You in a Traditional English Murder Mystery?
January 14, 2026
by
Olivia Rutigliano
City of Secrets: 7 Novels that Delve into the Great Mysteries of Oxford
January 14, 2026
by
A.D. Bell
6 Moody, Atmospheric Novels That Explore Womanhood and Societal Expectations
January 14, 2026
by
Rebecca Hannigan
The Best Reviewed Books of the Week
"Poignant Tender The final line of em The Rest of Our Lives em is by…"