On Translation and the (Temporary) Inheritance of Trauma

On Translation and the (Temporary) Inheritance of Trauma

Yardenne Greenspan Considers What It Means to Truly Inhabit an Author’s Work

By Yardenne Greenspan | January 4, 2023

Bill McKibben on the Joys of Writing a Serialized Novel

Bill McKibben on the Joys of Writing a Serialized Novel

Why Weekly Installments Can Make For the Best Kind of Storytelling

By Bill McKibben | January 4, 2023

Why I Had to Get Older to Write About Youth

Why I Had to Get Older to Write About Youth

Allegra Goodman on Finding the Necessary Distance to Write up Close

By Allegra Goodman | January 4, 2023

On Transforming Oral History Into Historical Fiction

On Transforming Oral History Into Historical Fiction

Aanchal Malhotra Tells the Story of Indian Partition

By Aanchal Malhotra | January 4, 2023

On Authenticity, Research, and Writing From the Diaspora

On Authenticity, Research, and Writing From the Diaspora

V.V. Ganeshananthan on Writing About Sri Lanka

By V.V. Ganeshananthan | January 4, 2023

Chris Belcher on Blurring the Lines Between Sex Work and Academia

Chris Belcher on Blurring the Lines Between Sex Work and Academia

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 4, 2023

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  • Departure(s)
  • The Flower Bearers
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  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

“It Was Like Jumping from a Cliff.” Dorthe Nors on Taking Quantum Leaps and Buying a House

By Otherppl with Brad Listi | January 4, 2023

How Zora Neale Hurston’s Study of Hoodoo Helped Me Grieve

By Tracey Rose Peyton | January 3, 2023

Thank You for Being a Friend: Lessons in Writing and Life from The Golden Girls

By Parini Shroff | January 3, 2023

Peter Orner on Looking for “Solace in Remembering” and His Pursuit of Chronology

Peter Orner on Looking for “Solace in Remembering” and His Pursuit of Chronology

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 3, 2023

Susanne Pari on Iran’s Rich History of Feminist Rebellion

Susanne Pari on Iran’s Rich History of Feminist Rebellion

The Author of In the Time of Our History Talks to Jane Ciabattari

By Jane Ciabattari | January 3, 2023

Getting Reinspired to Write... Again... For the New Year!

Getting Reinspired to Write... Again... For the New Year!

Listen to Brooke Warner and Grant Faulkner on Write-Minded

By Memoir Nation | January 3, 2023

Judith Thurman on Elena Ferrante and Writing That Rattles the Cage of Gender

Judith Thurman on Elena Ferrante and Writing That Rattles the Cage of Gender

"This body of work defies the conventions of writing 'like a woman' as radically as did Mary Shelley’s Frankenstein."

By Judith Thurman | December 23, 2022

The Forty Year Kiss: Nickolas Butler on Why People-Watching Is Writing

The Forty Year Kiss: Nickolas Butler on Why People-Watching Is Writing

“All novelists are spies or should be.”

By Nickolas Butler | December 23, 2022

Casting Symbolic Intimacy: How TV Can Help Us Get Better at Zoom

Casting Symbolic Intimacy: How TV Can Help Us Get Better at Zoom

Allison Wyss on The Magicians, The Brady Bunch, and Magical Connection

By Allison Wyss | December 23, 2022

The Legacy of ISIS: Dunya Mikhail on Yazidi Women Captives in Iraq

The Legacy of ISIS: Dunya Mikhail on Yazidi Women Captives in Iraq

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | December 22, 2022

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