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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Memoir
How the Prospect of Publishing Can Paralyze the Writing Process
Sofia Samatar on Balancing Self-Compartmentalization With the Joy of Creation
By
Sofia Samatar
| August 14, 2024
Imagining Home: On Family, Place and Inheritance in South Asia and North America
Sadiya Ansari Considers the Impact and Legacy of Displacement After Partition
By
Sadiya Ansari
| August 14, 2024
Scheherazade Was a Liar, Too: How Secrets Can Fuel Creative and Personal Exploration
Navid Sinaki on Finding His Voice as a Young, Queer Iranian Immigrant
By
Navid Sinaki
| August 13, 2024
Remembering the Jasmine of Ramallah; Or, How to Write to the Heart of the Matter in a Broken World
Ben Ehrenreich on the Impossibility of Narrative Containment
By
Ben Ehrenreich
| August 8, 2024
On My Attempt to Become a Better Tennis Player By Reading Self-Help Books
Keith Gandal Zen on the Art of Losing Badly
By
Keith Gandal
| July 31, 2024
Returning to the Scene: What’s Left of Café Loup, Legendary NYC Literary Haunt?
Erin Edmison Looks Back From Her Customary Spot at the Bar
By
Erin Edmison
| July 31, 2024
Best Reviewed
Books of the Week
On Lying About Reading, or: How I Learned That Stieg Larsson Is Good, Actually
By
Sara Martin
| July 29, 2024
Lost and Found: Why I Almost Quit Journalism (and What Brought Me Back)
By
Lauren Markham
| July 26, 2024
On Writing—and Then Becoming—the “Other”
By
Mathangi Subramanian
| July 24, 2024
Shalom Auslander on the First Story He Was Ever Told
“The first part of You Suck is known as The Old Testament.”
By
Shalom Auslander
| July 23, 2024
The Hard Art of Seeing Your Own Writing Through Rose-Colored Glasses
Mira Ptacin on Transforming One’s Inner Critic
By
Mira Ptacin
| July 22, 2024
From Dream to Nightmare: On the Deadly Manifestations of Religious Hatred in India
Zara Chowdhary Remembers a Idyllic Childhood Torn Apart by Violent Sectarianism
By
Zara Chowdhary
| July 22, 2024
On the Aftermath of a Brutal Murder-Suicide in an Idyllic Small Town
George Choundas Ponders How Life Continues In the Face of Senseless Tragedy
By
George Choundas
| July 19, 2024
Meet the writers who garden against time.
By
Brittany Allen
| July 18, 2024
What Does It Mean to Write Escapist Literature?
Caroline Carlson on Children’s Books and Escape Artistry
By
Caroline Carlson
| July 16, 2024
What the All-American Delusion of the Polygraph Says About Our Relationship to Fact and Fiction
Justin St. Germain Considers the Blurry Borders Between Memory, Memoir and Myth
By
Justin St. Germain
| July 15, 2024
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Page 17 of 157
The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. Berry
October 24, 2025
by
Polly Stewart
Guillermo del Toro's New
Frankenstein
Adaptation is Life-Giving
October 24, 2025
by
Olivia Rutigliano
Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His Work
October 23, 2025
by
Stephen King
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"