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Rachel Eliza Griffiths on Feeling Something at the End of a Book

Rachel Eliza Griffiths on Feeling Something at the End of a Book

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 11, 2023

David van den Berg on Seeing the Darkness

David van den Berg on Seeing the Darkness

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 5, 2023

Roger Reeves on Sensory Essays

Roger Reeves on Sensory Essays

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 28, 2023

Jenny Qi on Paying Attention

Jenny Qi on Paying Attention

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 21, 2023

Jennifer Grotz on Changing Poetic Ambitions

Jennifer Grotz on Changing Poetic Ambitions

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 14, 2023

Luis Alberto Urrea on How 'Team Urrea' Help Him Craft His Novels

Luis Alberto Urrea on How 'Team Urrea' Help Him Craft His Novels

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 7, 2023

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

Hernan Diaz Has No Draft Two

By First Draft: A Dialogue on Writing | July 31, 2023

Alice Elliott Dark on the Moral Argument of Fiction

By First Draft: A Dialogue on Writing | July 24, 2023

Stephen Buoro on How A Clockwork Orange Shook His World

By First Draft: A Dialogue on Writing | July 17, 2023

Elizabeth Graver on Making a Novel Out of Life

Elizabeth Graver on Making a Novel Out of Life

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 10, 2023

Adrienne Brodeur on Using Summer 2016 as a Setting for <em>Little Monsters</em>

Adrienne Brodeur on Using Summer 2016 as a Setting for Little Monsters

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 5, 2023

Michelle Brafman on Love Addiction as Fuel for Plot

Michelle Brafman on Love Addiction as Fuel for Plot

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 26, 2023

TC Boyle on Writing About What You Want to Discover

TC Boyle on Writing About What You Want to Discover

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 20, 2023

T.J. Newman on Why Writing in Secret Led to a Seven Figure Book Deal

T.J. Newman on Why Writing in Secret Led to a Seven Figure Book Deal

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 12, 2023

“I Tried To Be Witness to Him.” Sebastian Barry on Writing Characters That Have Survived Trauma

“I Tried To Be Witness to Him.” Sebastian Barry on Writing Characters That Have Survived Trauma

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 5, 2023

Mona Simpson on Reimagining Mental Health Hospitals in Her New Novel

Mona Simpson on Reimagining Mental Health Hospitals in Her New Novel

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 30, 2023

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Page 7 of 17
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    • Departure(s)
    • The Best Reviewed Books of the Week
    • "This briny English writer author of em Flaubert s Parrot em and a winner of…"
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