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First Draft: A Dialogue on Writing

First Draft

Kevin McIlvoy on a Novel Can Make Room for Dynamic Crowding

By First Draft: A Dialogue on Writing   September 20, 2021
First Draft

“Profoundly, Deeply, Centrally Sensual.” Robert Olen Butler on the Kinesthetic Experience of Writing

By First Draft: A Dialogue on Writing   September 13, 2021
First Draft

Jennifer Sperry Steinorth on the Alchemy in Graphic Poetry

By First Draft: A Dialogue on Writing   September 7, 2021
First Draft

Christine Mangan on the Delicate Balance of Crafting Suspense

By First Draft: A Dialogue on Writing   August 30, 2021
First Draft

Edward Hirsch on the Poet’s Celebration of Grief

By First Draft: A Dialogue on Writing   August 23, 2021
First Draft

Joshua Henkin on the Writer’s Continuous Learning Process

By First Draft: A Dialogue on Writing   August 16, 2021
First Draft

Azareen Van der Vliet Oloomi on Articulating Grief to Find the Way Back to Reality

By First Draft: A Dialogue on Writing   August 9, 2021
First Draft

From Belfast to Bathing an Elephant, S. Kirk Walsh Dives Into Novel Research

By First Draft: A Dialogue on Writing   August 2, 2021
First Draft

Tobey Pearl on the Beginnings of America’s Judicial System

By First Draft: A Dialogue on Writing   July 26, 2021
First Draft

Michael Kleber-Diggs on Connecting to the World Through Poetry

By First Draft: A Dialogue on Writing   July 19, 2021
First Draft

Steven Pressfield on the Artist
as Warrior

By First Draft: A Dialogue on Writing   July 12, 2021
First Draft

Marisa Silver on (Finally) Nailing Down Her Novel’s Point of View

By First Draft: A Dialogue on Writing   July 6, 2021
First Draft

Justin Jannise: Making Peace with Putting It All Out There

By First Draft: A Dialogue on Writing   June 28, 2021
First Draft

Diane Seuss: Does Language Eclipse Feeling?

By First Draft: A Dialogue on Writing   June 21, 2021
First Draft

Gabriela Garcia on How Mythologies Are Shaped Over Generations

By First Draft: A Dialogue on Writing   June 14, 2021
First Draft

How Parenthood Profoundly Shaped Ethan Rutherford’s Stories

By First Draft: A Dialogue on Writing   June 7, 2021
First Draft

Imbolo Mbue on the Thin Line Between the Physical and Supernatural

By First Draft: A Dialogue on Writing   June 1, 2021
First Draft

Anna North on Finding a Narrative Space Between Dystopia and Utopia

By First Draft: A Dialogue on Writing   May 24, 2021
First Draft

Layla AlAmmar: Who Gets to Dictate How a Story Is Told?

By First Draft: A Dialogue on Writing   May 17, 2021
First Draft

Why Elizabeth McCracken Loves Ventriloquism and Other Weird Show Business

By First Draft: A Dialogue on Writing   May 10, 2021
First Draft

Wrestling with Derrida’s Concept of Forgiving the Unforgivable

By First Draft: A Dialogue on Writing   May 3, 2021
First Draft

Nalini Singh on the Unnecessary Divide Between Literary and Genre Fiction

By First Draft: A Dialogue on Writing   April 26, 2021
First Draft

Chang-rae Lee on Writing as a Bodily Experience

By First Draft: A Dialogue on Writing   April 19, 2021
First Draft

Lidia Yuknavitch Wants You to Write a Triptych

By First Draft: A Dialogue on Writing   April 12, 2021
First Draft

Carol Edgarian: We Write from Our Own Urgency, Our Own Questions

By First Draft: A Dialogue on Writing   April 5, 2021
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