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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
    • History
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    • Memoir Nation
    • Beyond the Page
    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
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    • True Crime
    • The Daily Thrill
  • Log In
Marie Mutsuki Mockett on Writing About Sex

Marie Mutsuki Mockett on Writing About Sex

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 22, 2024

Julia Alvarez on Mortality

Julia Alvarez on Mortality

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 15, 2024

Lily Brooks-Dalton on Creating Hope

Lily Brooks-Dalton on Creating Hope

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 8, 2024

Kiley Reid on Why Fiction Isn't Activism

Kiley Reid on Why Fiction Isn't Activism

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 1, 2024

Debra Spark on Whether Art Can Truly Help People

Debra Spark on Whether Art Can Truly Help People

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 25, 2024

Téa Obreht on How She Found The Morningside

Téa Obreht on How She Found The Morningside

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 18, 2024

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Diane Seuss on Discovering Objectivity Through Aging

By First Draft: A Dialogue on Writing | March 11, 2024

Sloane Crosley on Staying on the Side of the Living

By First Draft: A Dialogue on Writing | March 4, 2024

Temim Fruchter on Learning to Break the Rules

By First Draft: A Dialogue on Writing | February 26, 2024

Leslie Jamison on Self-Construction as a Literary Act

Leslie Jamison on Self-Construction as a Literary Act

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 20, 2024

Margot Livesey on the Importance of Rhythm

Margot Livesey on the Importance of Rhythm

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 12, 2024

Kaveh Akbar on Questioning Goodness

Kaveh Akbar on Questioning Goodness

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 5, 2024

Ilyon Woo on Not Trying to Force It

Ilyon Woo on Not Trying to Force It

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 29, 2024

Jill McCorkle on Nostalgia

Jill McCorkle on Nostalgia

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 22, 2024

Vanessa Chan on How She Structured <em>The Storm We Made</em>

Vanessa Chan on How She Structured The Storm We Made

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 12, 2024

Antoine Wilson on the Humble Art of Writing

Antoine Wilson on the Humble Art of Writing

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 8, 2024

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Page 5 of 16
    • Sherlock Holmes, ScientistNovember 26, 2025 by Olivia Rutigliano
    • The Five Funniest Far Side Cartoons About DetectivesNovember 26, 2025 by Olivia Rutigliano
    • Which International Thriller Should You Binge This Weekend?November 26, 2025 by Dwyer Murphy
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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