Literary Hub » Features

Have You Considered an Anarchist Approach to Plot?

Have You Considered an Anarchist Approach to Plot?

Matthew Clark Davison and Alice LaPlante on Throwing Bombs, Emotional Movement, and Other Plot Devices

By Matthew Clark Davison and Alice LaPlante | July 3, 2025

Dina Nayeri on Iranian Life Under Attack

Dina Nayeri on Iranian Life Under Attack

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | July 3, 2025

Is Summer Actually the Season for Reading Big, Thick Books?

Is Summer Actually the Season for Reading Big, Thick Books?

In Which James Folta Wonders If Bigger Really is Better

By James Folta | July 2, 2025

How Houston’s Third Ward Became a Hub of Black Art, Culture, and Opportunity

How Houston’s Third Ward Became a Hub of Black Art, Culture, and Opportunity

Lauren O'Neill Butler on Shotgun Houses, Segregation, and the Art of Rick Lowe and John Biggers

By Lauren O'Neill Butler | July 2, 2025

Jessica Berger Gross on the Special Euphoria of Debuting as a Novelist in Her 50s

Jessica Berger Gross on the Special Euphoria of Debuting as a Novelist in Her 50s

The Author of “Hazel Says No” Shares What She Learned from Decades of Doubt

By Jessica Berger Gross | July 2, 2025

Other, Better Worlds: Pip Adam on the Possibilities of Politically Engaged Speculative Fiction

Other, Better Worlds: Pip Adam on the Possibilities of Politically Engaged Speculative Fiction

Danielle Dutton In Conversation With the Author of “Audition”

By Danielle Dutton | July 2, 2025

Best Reviewed
Books of the Week

How Immigrants and Other ESL Students Make American English Their Own

By Megan C. Reynolds | July 2, 2025

On the Dehumanizing Impact of Deportation and Our Obligations to Each Other

By Laurie Sheck | July 2, 2025

Matilda Feyiṣayọ Ibini on Bola Agbaje's Gone Too Far!

By Windham-Campbell Prizes Podcast | July 2, 2025

“How Much We Died...” <br>A Poem by Nasser Rabah

“How Much We Died...”
A Poem by Nasser Rabah

“nothing left in the day’s haggard pockets / but dizzying hunger and rows of rubble”

By Nasser Rabah | July 1, 2025

Libby Buck on Writing Like an Art Historian

Libby Buck on Writing Like an Art Historian

“I follow the object, asking it to speak to me.”

By Libby Buck | July 1, 2025

A Series of Unfortunate Salaries: <br>Maris Kreizman on Fighting the Publishing Industry’s Elitism

A Series of Unfortunate Salaries:
Maris Kreizman on Fighting the Publishing Industry’s Elitism

The Author of “I Want to Burn This Place Down” Unionizes Against the Big Five’s Unlivable Wages

By Maris Kreizman | July 1, 2025

Paris Made My Cheeks Hurt: On Language and Muscle Memory

Paris Made My Cheeks Hurt: On Language and Muscle Memory

Benedict Nguyễn Explores Writing and Revising Across Linguistic Lines

By Benedict Nguyễn | July 1, 2025

Doomsday Profiteers: On Corporate America’s Y2K Response

Doomsday Profiteers: On Corporate America’s Y2K Response

Leigh Claire La Berge Looks Back at the Digital Apocalypse That Wasn’t

By Leigh Claire La Berge | July 1, 2025

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Jane Ciabattari Talks to the Author of “Typewriter Beach”

By Jane Ciabattari | July 1, 2025

Jemimah Wei and Tash Aw Tell Time and Place

Jemimah Wei and Tash Aw Tell Time and Place

In Conversation with Lena Crown on Awakeners

By awakeners | July 1, 2025

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