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Letter to a New New Left (Or, How Unions Got Cool Again)

Letter to a New New Left (Or, How Unions Got Cool Again)

Olivia Heffernan and Jamie McCallum on the Rise of a New Labor Movement

By Olivia Heffernan and Jamie McCallum | April 10, 2023

Baroque, Purple, and Beautiful: In Praise of the Long, Complicated Sentence

Baroque, Purple, and Beautiful: In Praise of the Long, Complicated Sentence

Ed Simon Asks Us to Reconsider Our Definitions of Good Style

By Ed Simon | April 10, 2023

Joy Harjo on Being a Poet and Witness to History

Joy Harjo on Being a Poet and Witness to History

From Her Acceptance Speech for the Ivan Sandrof Lifetime Achievement Award at The National Book Critics Circle Awards

By Joy Harjo | April 10, 2023

Maggie Smith on How She Approached Plot in Her Memoir

Maggie Smith on How She Approached Plot in Her Memoir

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 10, 2023

Writing From the Margins: On the Origins and Development of the Lyric Essay

Writing From the Margins: On the Origins and Development of the Lyric Essay

Zoë Bossiere and Erica Trabold Consider Essay Writing as Resistance

By Zoë Bossiere and Erica Trabold | April 10, 2023

Ling Ling Huang on the Similarities Between Classical Music and Fiction Writing

Ling Ling Huang on the Similarities Between Classical Music and Fiction Writing

“Music and writing demand the same things: self-discipline, time, and patience.”

By Ling Ling Huang | April 10, 2023

Best Reviewed
Books of the Week

Charif Shanahan on Making the Unseen Seen through Poetry

By Literary Hub | April 10, 2023

The Reader is the Only Place That Matters: On the Metaphysical Space Within Literature

By Blair Austin | April 10, 2023

What to Read Before and After Seeing the Adaptation of Haruki Murakami’s Blind Willow, Sleeping Woman

By Literary Hub | April 7, 2023

When the IRA Arrived in Brighton to Blow Up Margaret Thatcher, Her Cabinet, and the Grand Hotel

When the IRA Arrived in Brighton to Blow Up Margaret Thatcher, Her Cabinet, and the Grand Hotel

Patrick Magee Was Behind Enemy Lines. His Job Was to Assemble and Plant the Device.

By Rory Carroll | April 7, 2023

The Most Mysterious of Arts: On the Science of Reading

The Most Mysterious of Arts: On the Science of Reading

Adrian Johns Considers Our Attempts to Codify and Optimize Learning

By Adrian Johns | April 7, 2023

<em>How to Blow Up a Pipeline</em> is a Brisk Thriller and a Passionate Argument for Revolution

How to Blow Up a Pipeline is a Brisk Thriller and a Passionate Argument for Revolution

The Fictionalization of Andreas Malm’s 2021 Manifesto Asks How Far We Should Go to Fight Climate Destruction and Injustice

By Olivia Rutigliano | April 7, 2023

Dani Shapiro on Letting Structure Reveal Itself

Dani Shapiro on Letting Structure Reveal Itself

“You don’t know—you can’t know—whether the bricks you’ve laid on top will be supported by the bricks at the bottom.”

By Dani Shapiro | April 7, 2023

When Cate Blanchett Played Tennessee Williams’s Greatest Character

When Cate Blanchett Played Tennessee Williams’s Greatest Character

Nancy Schoenberger on the Power of Blanche duBois in Liv Ullmann's Unique Production of A Streetcar Named Desire

By Nancy Schoenberger | April 7, 2023

Why <em>Should</em> We Care About Penguins?

Why Should We Care About Penguins?

Naira de Gracia Explores the Importance of Species Conservation in Antarctica

By Naira de Gracia | April 7, 2023

Jane Roper on Learning How to Have Fun While Writing Fiction

Jane Roper on Learning How to Have Fun While Writing Fiction

“Bringing your full self to your work, wielding all of your tools with abandon, is fun at a whole other level.”

By Jane Roper | April 7, 2023

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