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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
Jesse Kavadlo Puts Don DeLillo into Context
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The History of Literature
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Peace Adzo Medie on Violence Against Women in Africa
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Indiana Jones: Here We Go Again
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Before They Were Cliches: On the Origins of 8 Worn Out Idioms
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June’s Best Reviewed Nonfiction
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Mattie Lubchansky: Why Comics?
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Ordinary People in Extraordinary Times: Life Under Occupation in WWII
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June’s Best Reviewed Fiction
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The Booker Revisited: Notions of the “Fatherland” in Peter Ho Davies’
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Lucy Scholes' Rereads More Titles Considered for the Booker Prize
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AudioFile’s Best Audiobooks of June
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Clémence Michallon on Why Fiction Must Be More Realistic Than Nonfiction
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From Pizza to Borscht: Unscrambling the Politics of National Dishes
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Aisha Harris Talks Judy Garland, Michael Jackson, the Spice Girls, and Stevie Wonder
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Marin Ireland on Being Starstruck by Novelists
The 2023 Golden Voice Narrator in Conversation with Jo Reed
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Page 224 of 1207
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Arthur Conan Doyle, Jack the Ripper and the Fact and Fiction of Criminal Profiling
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Crime and the City: Falkland Islands
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The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"