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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • Poem
  • News and Culture
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    • Awakeners
    • Fiction/Non/Fiction
    • The Critic and Her Publics
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
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Julia Cameron on Learning to Write Sober

Julia Cameron on Learning to Write Sober

"I was dubious about writing with such ease. Wasn’t I supposed to suffer? Wasn’t writing supposed to take everything I had?"

By Julia Cameron | August 11, 2023

Jennifer McAdam on Taking Down a Crypto Fraud

Jennifer McAdam on Taking Down a Crypto Fraud

In Conversation with Andrew Keen on Keen On

By Keen On | August 11, 2023

Christine Baranski and Jesse Green on Narrating the Life of Mary Rodgers

Christine Baranski and Jesse Green on Narrating the Life of Mary Rodgers

In Conversation with Jo Reed on Behind the Mic

By Behind the Mic | August 11, 2023

Rion Amilcar Scott on Literary Insurrections and Memetic Apocalypses

Rion Amilcar Scott on Literary Insurrections and Memetic Apocalypses

In Conversation with Andrew Keen on Keen On

By Keen On | August 11, 2023

"Woman, Jew, Intellectual:" How the Nazi State Saw Hannah Arendt

Wolfram Eilenberger on the Social Construction of the Self Under Totalitarianism

By Wolfram Eilenberger | August 10, 2023

Two Designers, Two Countries, Two Covers: How <em>Limitarianism</em> Got Its Look

Two Designers, Two Countries, Two Covers: How Limitarianism Got Its Look

Pablo Delcan and Jamie Keenan Discuss the Evolution of Their Designs for the Same Book

By Literary Hub | August 10, 2023

Best Reviewed
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  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

By Paul Morton | August 10, 2023

6 Difficult Women Who Live on in Fiction

By Elizabeth Fremantle | August 10, 2023

5 Book Reviews You Need to Read This Week

By Book Marks | August 10, 2023

The Annotated Nightstand: What Stephen Kearse is Reading Now and Next

The Annotated Nightstand: What Stephen Kearse is Reading Now and Next

Featuring Anthony Bourdain, Angela Carter, Audre Lorde and More

By Diana Arterian | August 10, 2023

Celeste Ng on the GOP’s War on Children

Celeste Ng on the GOP’s War on Children

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | August 10, 2023

Elizabeth Acevedo on Fun with Footnotes, Family History, and Alpha Vaginas

Elizabeth Acevedo on Fun with Footnotes, Family History, and Alpha Vaginas

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 10, 2023

Isabel Kershner on This Unique Moment for Israel

Isabel Kershner on This Unique Moment for Israel

In Conversation with Roxanne Coady on Just the Right Book

By Just the Right Book | August 10, 2023

Jennifer Coburn on Enjoying the Research

Jennifer Coburn on Enjoying the Research

The Author of Cradles of the Reich Talks to Ona Russell in the New Season of Authors in the Tent

By Authors in the Tent | August 10, 2023

On Translating Michele Mari, an Italian Literary

On Translating Michele Mari, an Italian Literary "Living Legend"

Brian Robert Moore Reflects on Bringing You, Bleeding Childhood to an Anglophone Audience

By Brian Robert Moore | August 9, 2023

"Whatever!": In Defense of Anachronism in Ancient Rome

James Hynes on Navigating the Past and the Present in Historical Fiction

By James Hynes | August 9, 2023

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    • Jaime Parker Stickle on Podcasts, Investigations, and Her Strange Journey to Writing a ThrillerNovember 5, 2025 by Jaime Parker Stickle
    • Ice Cream, Elephants, Organs, Death: The Triumphs and Terrors of the 1904 St. Louis World's FairNovember 5, 2025 by Emily Bain Murphy
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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