Louise Kennedy on Discovering Fiction’s Complex Emotional Truths

Louise Kennedy on Discovering Fiction’s Complex Emotional Truths

Jane Ciabattari Talks to the Author of The End of the World is a Cul de Sac

By Jane Ciabattari | December 19, 2023

John F. Kennedy’s Last Movie: <em>From Russia with Love</em>

John F. Kennedy’s Last Movie: From Russia with Love

“Kennedy proclaimed his love for James Bond whenever he could.”

By Stanley Schtinter | December 18, 2023

“I’m Not Really Interested in Creating Sympathetic Characters.” Rachel Connolly Talks to Lucie Elven

“I’m Not Really Interested in Creating Sympathetic Characters.” Rachel Connolly Talks to Lucie Elven

The Author of Lazy City on Creative Intentionality and Subverting the Trauma Plot

By Lucie Elven | December 18, 2023

Bedridden Listening: Sarah Wheeler on the Transformative Experience of Listening to Audiobooks While Ill

Bedridden Listening: Sarah Wheeler on the Transformative Experience of Listening to Audiobooks While Ill

The Co-Host of Mother Culture on Becoming a Different Kind of Reader

By Sarah Wheeler | December 18, 2023

Sakiru Adebayo on the Diasporization of African Literature

Sakiru Adebayo on the Diasporization of African Literature

Writing Without the Certainty of Return

By Sakiru Adebayo | December 18, 2023

Paul Harding on Receiving Gifts from the Universe

Paul Harding on Receiving Gifts from the Universe

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 18, 2023

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Baron Wormser on the Subtle Art of Attunement

By Memoir Nation | December 18, 2023

Max Marshall on the Darkness Behind Fraternities

By Keen On | December 18, 2023

Andrea Elliott on Her Passion for Immersive Journalism

By Sun Valley Writers' Conference | December 18, 2023

More Than a Satire: <em>American Fiction</em> is a Poignant Reflection on Existence

More Than a Satire: American Fiction is a Poignant Reflection on Existence

Olivia Rutigliano on the New Film from Cord Jefferson

By Olivia Rutigliano | December 15, 2023

<em>Ferrari</em> Performs an Opera of Capitalism and Comes Up Loud

Ferrari Performs an Opera of Capitalism and Comes Up Loud

Frank Falisi on Michael Mann’s new film

By Frank Falisi | December 15, 2023

Martín Solares on Creating Novelesque Excitement

Martín Solares on Creating Novelesque Excitement

“A story is novelesque when it provokes in the reader, at regular intervals, the burning question: What will happen next?”

By Martín Solares | December 15, 2023

Fierce, Fearless and Fun: How Maggie Higgins Broke New Ground For Women in Journalism

Fierce, Fearless and Fun: How Maggie Higgins Broke New Ground For Women in Journalism

Jennet Conant on the Adventures of One of America's First Female Foreign Correspondents

By Jennet Conant | December 15, 2023

Writing in Tandem: Inside the Process of Cross-Racial Creative Collaboration

Writing in Tandem: Inside the Process of Cross-Racial Creative Collaboration

Christine Platt and Catherine Wigginton Greene on the Challenges and Benefits of Co-Authorship

By Christine Platt and Catherine Wigginton Greene | December 15, 2023

Georges Ugeux on Wall Street’s Assault on Democracy

Georges Ugeux on Wall Street’s Assault on Democracy

In Conversation with Andrew Keen on Keen On

By Keen On | December 15, 2023

How We Spend Our Days: On <em>Wintering</em> and the Value of Giving and Taking Care

How We Spend Our Days: On Wintering and the Value of Giving and Taking Care

Amanda Parrish Morgan Considers the Lessons of a Long Pandemic Season

By Amanda Parrish Morgan | December 14, 2023

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