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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
Buzzy Jackson on the Difficulty of Writing Dark Scenes
In Conversation with Mitzi Rapkin on the First Draft Podcast
By
First Draft: A Dialogue on Writing
| January 2, 2024
Write-Minded's Unresolutions for 2024
From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| January 2, 2024
The Ultimate Best Books of 2023 List
Reading All the Lists So You Don’t Have To Since 2017
By
Emily Temple
| December 23, 2023
The Most Scathing Book Reviews of 2023
“Yes, it’s her world and after reading her book I just wish I could move off-planet.”
By
Book Marks
| December 23, 2023
The 10 Biggest Literary Stories of the Year
At Least 2023 is Over Now
By
Literary Hub
| December 23, 2023
The 38 Best Books We Read in 2023
Lit Hub Staffers on the Year’s Best Reading Experiences
By
Literary Hub
| December 23, 2023
Best Reviewed
Books of the Week
Blake Butler on (Not) Finding Your Voice
By
Blake Butler
| December 22, 2023
“Dead Cats Continue to Meow.” A Poem by Nasser Rabah
By
Nasser Rabah
| December 22, 2023
David James Duncan on Choosing Between Art and Activism
By
First Draft: A Dialogue on Writing
| December 22, 2023
We Are All Witches: Elizabeth Willis and Nancy Bowen on the Contemporary Echoes of Centuries-Old Fears
E. Tracy Grinnell Talks to the Poet-Artist Team Behind Spectral Evidence
By
E. Tracy Grinnell
| December 21, 2023
All of Us Strangers
Confronts the Dangers of Spinning Trauma Into Art
Andrew Quintana on Director Andrew Haigh’s New Masterpiece
By
Andrew Quintana
| December 21, 2023
The Annotated Nightstand: What Sabrina Orah Mark Is Reading Now and Next
Featuring Daisy Hildyard, Maxine Hong Kingston, Nina McLaughlin and More
By
Diana Arterian
| December 21, 2023
Lydia Kiesling on Making the Lists—or Not
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
By
Fiction Non Fiction
| December 21, 2023
Tyriek White on Juxtaposing Brooklyn's History With Lived Experience
In Conversation with Maris Kreizman on The Maris Review Podcast
By
The Maris Review
| December 21, 2023
How Long Will
Schindler’s List
Endure as a Public Memorial to The Holocaust?
Paul Morton Revisits Spielberg’s Controversial Film, 30 Years Later
By
Paul Morton
| December 20, 2023
Between Anxiety and Hope: On the Cautious Optimism of Lewis Thomas
Sukhada Tatke Remembers the Essayist and His Scientific and Creative Vision
By
Sukhada Tatke
| December 20, 2023
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Page 166 of 1210
How Southern Crime Fiction Became a Publishing Powerhouse
November 13, 2025
by
Leigh Dunlap
Silence That Screams: On Hysteria, Hauntings, and Why Every Story Is a Ghost Story
November 13, 2025
by
Meagan Church
Why the Golden Age of Detective Fiction Still Influences Mystery Today
November 13, 2025
by
Andreina Cordani
The Best Reviewed Books of the Week
"Permeated by a deep affection for the city of Tokyo its cuisine its mass transit…"