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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
Cutting Class: On the Myth of the Middle Class Writer
Alissa Quart Reckons With the Precarity of the Writing Life
By
Alissa Quart
| April 15, 2024
The Literary Outsider: How Barbara Comyns Wrote Her Way to
The Juniper Tree
Sarah McClung on the Author’s Lifelong Creative Development
By
Sarah McClung
| April 15, 2024
How To Write Egoless Prose, At Least For a Little While
Steve Almond Offers Some Strategies to Help Make Writer’s Block Work For You
By
Steve Almond
| April 15, 2024
How Ordinary Irish Citizens Got Caught Up in the Violence of the Troubles
Henry Hemming on Bloody Sunday, Frank Hegarty, and Life in the IRA
By
Henry Hemming
| April 15, 2024
Considering the Lessons of the Cold War for the Next Great Power Rivalry
Adam E. Casey on America, China, and the Future of Revolutionary Rule
By
Adam E. Casey
| April 15, 2024
How Colonial Powers Fought for Economic Dominance in North America
Hampton Sides on Britain’s Generations-Long Search for the Northwest Passage
By
Hampton Sides
| April 15, 2024
Best Reviewed
Books of the Week
Julia Alvarez on Mortality
By
First Draft: A Dialogue on Writing
| April 15, 2024
John McMurtrie on the State of the Book Review
By
Memoir Nation
| April 15, 2024
Why I’m Using My PEN Nomination to Protest for Palestine
By
Sarah Cypher
| April 12, 2024
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Leigh Bardugo, Alexandra Fuller, Anne Lamott, and More
By
Book Marks
| April 12, 2024
How Deregulation Destroyed Indie Rock Across America
Tom Maxwell on the Corporate Capture of Regional Radio Stations
By
Tom Maxwell
| April 12, 2024
Yes, But Can You Really Explain the Difference Between Morals and Ethics?
Eli Burnstein on the Subtle Nuances of the English Language
By
Eli Burnstein
| April 12, 2024
More Than “Friendless” or “Fallen...” Giving Voice to the Women Who Misbehaved in History
Kelly E. Hill on Women Defying Societal Norms in the Nineteenth Century
By
Kelly E. Hill
| April 12, 2024
Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books
George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”
By
George Makari
| April 11, 2024
There Are Too Many Books; Or, Publishing Shouldn’t Be All About Quantity
Maris Kreizman on the Dangers of Mass Production
By
Maris Kreizman
| April 11, 2024
What Obituaries Can Tell Us About How the World Views Artists
Jim Moske Explores the Met Archives For Posthumous Stories Lost to Time
By
Jim Moske
| April 11, 2024
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Page 140 of 1210
Eli Frankel: I Was the Last Person to Interview the Black Dahlia Murder Witness.
November 11, 2025
by
Eli Frankel
David Baldacci on Pushing Your Characters Into the Unknown
November 11, 2025
by
David Baldacci
Eric Heisserer on Filmmaking, Reincarnation, and Writing His First Novel
November 11, 2025
by
Alex Dueben
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"