Why Writing Feels So Hard (and How to Make it Easier)

Why Writing Feels So Hard (and How to Make it Easier)

April Dávila on the Neuroscience Behind Writer’s Block and What We Can Do to Conquer It

By April Dávila | July 22, 2026

Why We Need More Woman-Centric Retellings of <em>The Odyssey</em>

Why We Need More Woman-Centric Retellings of The Odyssey

“We are like Penelope, unraveling Homer’s tale for our own purposes.”

By Mary Helen Specht | July 21, 2026

What Romance Novels Taught Me About Writing Literary Fiction

What Romance Novels Taught Me About Writing Literary Fiction

Rowan Beaird on How Reading Romance Rewired Her Writing Brain

By Rowan Beaird | July 21, 2026

How Jean-Paul Sartre Attempted to Marry Marxism and Existentialism

How Jean-Paul Sartre Attempted to Marry Marxism and Existentialism

Emily Eakin Explores New Developments in French Thought After World War II

By Emily Eakin | July 21, 2026

Sheila Heti on Talking to Everyone at Once

Sheila Heti on Talking to Everyone at Once

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | July 21, 2026

A Dialogue With the Facts: On Writing Literary Biography in a Post-Truth Age

A Dialogue With the Facts: On Writing Literary Biography in a Post-Truth Age

Fiona Sampson Explores the Ways We Can Blend Reality With Fictionalization

By Fiona Sampson | July 20, 2026

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The Old Streets of Athens: On Living and Dying Away From One’s Homeland

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Chef Nephi Craig on the Power and Importance of Preserving Native Cuisines

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There’s a New Coalition in the Democratic Party—and the Price of Membership is Criticizing Israel

There’s a New Coalition in the Democratic Party—and the Price of Membership is Criticizing Israel

Steven W. Thrasher on Anti-Zionism in American politics

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Why PEN America Will Not Defend You Against Anti-BDS Legislation

Why PEN America Will Not Defend You Against Anti-BDS Legislation

Dinaw Mengestu, Past President of PEN America, on the Organization’s “Muddled Twists of Logic”

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Nostos, or Homecoming: Why I Keep Returning to the <em>Odyssey</em>

Nostos, or Homecoming: Why I Keep Returning to the Odyssey

Rose Smith: “The Odyssey is as relevant as ever it was. And I, for one, cannot wait for the next rendition of this story.”

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Who, Exactly, Were All Those Girls in Renoir’s Paintings?

Who, Exactly, Were All Those Girls in Renoir’s Paintings?

Catherine Ostler on the True Stories Behind the Art

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What Writing About Bobby Kennedy Taught Me About Male Power

What Writing About Bobby Kennedy Taught Me About Male Power

Carson Markland on Control, Roe v. Wade, and the Slipperiness of Biography

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Nine Feminist Mythological Reimaginings to Read After You Watch <em>The Odyssey</em>

Nine Feminist Mythological Reimaginings to Read After You Watch The Odyssey

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