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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
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    • Poem
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What T.S. Eliot’s Letters to Emily Hale Reveal About the Poet’s Romantic Past

What T.S. Eliot’s Letters to Emily Hale Reveal About the Poet’s Romantic Past

Sara Fitzgerald on Unrequited Love and a Recently Declassified Epistolary Correspondence

By Sara Fitzgerald | September 6, 2024

Writing Between Worlds: Navigating My African and American Identities on the Page

Writing Between Worlds: Navigating My African and American Identities on the Page

Itoro Bassey on the Gift of Being Understood

By Itoro Bassey | September 6, 2024

Poetry and Painting: Visualizing Verse on the Page and the Canvas

Poetry and Painting: Visualizing Verse on the Page and the Canvas

Cynthia Zarin and Rose Seccareccia Explore Their Shared Family Pastimes of Art and Literature

By Cynthia Zarin | September 6, 2024

An Ode to the Ode: Lory Bedikian on How the Form Helped Her Grieve and Grow

An Ode to the Ode: Lory Bedikian on How the Form Helped Her Grieve and Grow

The Author of “Jagadakeer: Apology to the Body” Explores the Many Meanings and Possibilities of a Poetic Category

By Lory Bedikian | September 6, 2024

Suffering, Grace and Redemption: How The Bronx Came to Be

Suffering, Grace and Redemption: How The Bronx Came to Be

Ian Frazier on the Early History of New York City's Northernmost Borough

By Ian Frazier | September 6, 2024

Reckoning and Refoundation: How the Tokyo Trials Created Modern Asia

Reckoning and Refoundation: How the Tokyo Trials Created Modern Asia

From Gary J. Bass's Cundill Prize-Shortlisted “Judgment at Tokyo”

By Gary J. Bass | September 6, 2024

Best Reviewed
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  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

American Nightmare: Alice Driver on the Immigrants Who Risked Their Lives at a Meatpacking Plant During Covid

By Sarah Viren | September 5, 2024

5 Book Reviews You Need to Read This Week

By Book Marks | September 5, 2024

Humanity’s Strangest Language: On the Joys of Translating Math

By Ben Orlin | September 5, 2024

Toward a More Generous Pedagogy

Toward a More Generous Pedagogy

Michele Herman on Bringing the Golden Rule to Her Classroom

By Michele Herman | September 5, 2024

Korean Revolutionary Kim San on Moral Courage in the Face of Imperialist Violence

Korean Revolutionary Kim San on Moral Courage in the Face of Imperialist Violence

“To rise above oppression is the glory of man; to submit is his shame.”

By Kim San | September 5, 2024

Letting Places Grow Like Characters: Transforming Your Hometown into a Fictional World

Letting Places Grow Like Characters: Transforming Your Hometown into a Fictional World

Shannon Bowring on Setting a Book’s Sequel in the Same, Yet Evolving, Literary Universe

By Shannon Bowring | September 5, 2024

“A Word About a Word Addressed to a Word.” On Embracing the Fictiveness of Fiction

“A Word About a Word Addressed to a Word.” On Embracing the Fictiveness of Fiction

For Maureen Sun Transparency Is Not Always a Virtue

By Maureen Sun | September 5, 2024

I Think Memoirs Nowadays Are Just Completely Self-Involved: Am I the Literary Asshole?

I Think Memoirs Nowadays Are Just Completely Self-Involved: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | September 5, 2024

Alissa Quart on the Dangerous Lie of American Bootstrap Narratives

Alissa Quart on the Dangerous Lie of American Bootstrap Narratives

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 5, 2024

Rachel Kushner on Crafting a Philosophical Spy Novel For an Age of Environmental Anxiety

Rachel Kushner on Crafting a Philosophical Spy Novel For an Age of Environmental Anxiety

Jane Ciabattari Talks to the Author of “Creation Lake”

By Jane Ciabattari | September 4, 2024

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    • "Not much happens In fact there is much in the text that is not made…"
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