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  • Craft and Criticism
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As a Writer, You Can Never Collect Too Many Endings

As a Writer, You Can Never Collect Too Many Endings

Steve Edwards on the Gathering of Life’s Infinite Moments

By Steve Edwards | August 27, 2024

A New Asian American Boom: A Reading List of the Cambodian American Experience

A New Asian American Boom: A Reading List of the Cambodian American Experience

Bunkong Tuon Recommends Anthony Veasna So, Vichet Chum, Sokunthary Svay, and More

By Bunkong Tuon | August 26, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring Elif Shafak, Audre Lorde, Moon Unit Zappa, and More

By Book Marks | August 23, 2024

A Kind of Arctic Madness: On Christiane Ritter’s Essential Memoir of the Far North

A Kind of Arctic Madness: On Christiane Ritter’s Essential Memoir of the Far North

Colin Dickey Goes All the Way to Svalbard to Read “A Woman in the Polar Night”

By Colin Dickey | August 22, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“You feel something vital and profound prowling around in the darkness beneath.”

By Book Marks | August 22, 2024

The Annotated Nightstand: What Danez Smith is Reading Now, and Next

The Annotated Nightstand: What Danez Smith is Reading Now, and Next

Featuring Andre Perry, Nicole Sealey, Lillian-Yvonne Bertram, and Others

By Diana Arterian | August 22, 2024

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

If You Skip a Friend’s Book Launch Are You the Literary Asshole?

By Kristen Arnett | August 22, 2024

Iris Jamahl Dunkle and Kelly McMasters on Biographical Ethics

By Fiction Non Fiction | August 22, 2024

Glynne Walley on the Hakkenden

By History of Literature | August 22, 2024

Writing Happiness: Why It’s Worth It to Look on the Bright Side of Stories

Writing Happiness: Why It’s Worth It to Look on the Bright Side of Stories

Maribeth Fischer on the Joys of Creating Joyful Fiction

By Maribeth Fischer | August 21, 2024

m. nourbeSe philip on Kamau Brathwaite's <em>Born to Slow Horses</em>

m. nourbeSe philip on Kamau Brathwaite's Born to Slow Horses

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | August 21, 2024

Fragile Yet Eternal: How Audre Lorde Continues to Inspire

Fragile Yet Eternal: How Audre Lorde Continues to Inspire

Alexis Pauline Gumbs on the Life and Legacy of the Iconic Black Feminist Poet and Activist

By Alexis Pauline Gumbs | August 20, 2024

Lena Valencia on Chronicling the Beauty and Danger of the Desert

Lena Valencia on Chronicling the Beauty and Danger of the Desert

Jane Ciabattari Talks to the Author of “Mystery Lights”

By Jane Ciabattari | August 20, 2024

Danez Smith! Audre Lorde! Kwame Dawes! 27 new books out today.

Danez Smith! Audre Lorde! Kwame Dawes! 27 new books out today.

By Gabrielle Bellot | August 20, 2024

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

Liska Jacobs in Conversation with the Author of “Opacities”

By Liska Jacobs | August 19, 2024

Choose Your Own Adventure: On the Limits of Personal Agency in Migrant Fiction

Choose Your Own Adventure: On the Limits of Personal Agency in Migrant Fiction

Ruben Reyes Jr. Considers the Role of Systemic Power Structures Both On and Off the Page

By Ruben Reyes Jr. | August 19, 2024

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Page 54 of 343
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    • Why 'Honey Don't' Is the Subversive Queer Private Eye Movie for Today's AmericaOctober 27, 2025 by David Masciotra
    • 10 New Books Coming Out This WeekOctober 27, 2025 by CrimeReads
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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