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The New Adaptation of <em>Fleishman Is in Trouble</em> Knows What to Do with Its Extra Space

The New Adaptation of Fleishman Is in Trouble Knows What to Do with Its Extra Space

Jessie Gaynor on the FX Series Based on Taffy Brodesser-Akner’s Novel

By Jessie Gaynor | November 16, 2022

“In Some Ways Immigration is Like an Apocalypse.” Pete Hsu on Writing About the Aftermath of Immigrating

“In Some Ways Immigration is Like an Apocalypse.” Pete Hsu on Writing About the Aftermath of Immigrating

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 16, 2022

How Living in Naples Changed Shirley Hazzard’s Life

How Living in Naples Changed Shirley Hazzard’s Life

“If you come to live there, come to know it, you will live in other times.”

By Brigitta Olubas | November 15, 2022

Nick Hornby Understands the Pitfalls of Giving Novels as Gifts

Nick Hornby Understands the Pitfalls of Giving Novels as Gifts

The Author of Dickens and Prince Takes the Lit Hub Questionnaire

By Literary Hub | November 15, 2022

12 new books to look forward to this week.

12 new books to look forward to this week.

By Katie Yee | November 15, 2022

On the Glorious Queerness of Metrical Narrative

On the Glorious Queerness of Metrical Narrative

Cat Fitzpatrick’s Celebration of “Absurd Embellishments”

By Cat Fitzpatrick | November 15, 2022

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Sofia Coppola in Praise of Edith Wharton’s Beloved Antiheroine, Undine Spragg

By Sofia Coppola | November 15, 2022

Elisa Gabbert on the Performance of Self in Poetry (Versus Prose)

By I'm a Writer But | November 15, 2022

Rich Ferguson, Mary Kerr, and S.A. Griffin on the Heart of Beat Literature

By Otherppl with Brad Listi | November 15, 2022

Kevin Wilson on the Ease of Writing in the 90s and His New Novel, <em>Now is Not the Time to Panic<em>

Kevin Wilson on the Ease of Writing in the 90s and His New Novel, Now is Not the Time to Panic

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | November 15, 2022

Remembering Kenward Elmslie and Lucia Berlin through Their Postcards to Each Other

Remembering Kenward Elmslie and Lucia Berlin through Their Postcards to Each Other

Chip Livingston on a Unique Correspondence

By Chip Livingston | November 14, 2022

Oh, the Ironies: How Irony Got Its (Second) Meaning

Oh, the Ironies: How Irony Got Its (Second) Meaning

Ben Yagoda Considers Connop Thirlwell's Invention of Practical Irony

By Ben Yagoda | November 14, 2022

David Yoon on Writing Racial Dynamics in YA Fiction

David Yoon on Writing Racial Dynamics in YA Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 14, 2022

This Year’s University Press Week Highlights Work on Race, Religion, War, and More

This Year’s University Press Week Highlights Work on Race, Religion, War, and More

Books, Series, Imprints, and More!

By Literary Hub | November 14, 2022

Ross Gay: “It’s Never Been the Institutions, It’s Always Been Our Neighbor.”

Ross Gay: “It’s Never Been the Institutions, It’s Always Been Our Neighbor.”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 14, 2022

A Brief History of Shipwrecks in Literature

A Brief History of Shipwrecks in Literature

Alan G. Jamieson on Why Lost Ships Are So Compelling to Writers

By Alan G. Jamieson | November 11, 2022

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Page 148 of 346
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    • “Whoever Wrote this Episode Should Die": "Galaxy Quest" Is Personal, and it's Personal to MeNovember 21, 2025 by Olivia Rutigliano
    • Breaking In: A Field Guide to Heist Plot TypesNovember 21, 2025 by Norman Birnbach and Tilia Klebenov Jacobs
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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