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13 Adaptations Better Than the Books They’re Based On

13 Adaptations Better Than the Books They’re Based On

(GASP)

By Emily Temple | March 23, 2023

“It Was All in the Service of Not Wanting Queer People to Have to Justify Themselves.” Why Catherine Lacey Rewrote History in <em>Biography of X</em>

“It Was All in the Service of Not Wanting Queer People to Have to Justify Themselves.” Why Catherine Lacey Rewrote History in Biography of X

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 23, 2023

Alone on the Range: Victor LaValle on <em>Lone Women</em>’s Homesteaders, History, and Horror

Alone on the Range: Victor LaValle on Lone Women’s Homesteaders, History, and Horror

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | March 23, 2023

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

"A kind of writing so rare and accomplished that it seems to erase the very nuts and bolts of its own construction"

By Book Marks | March 23, 2023

<em>Daisy Jones & the Six</em> Balances Authenticity and Fantasy

Daisy Jones & the Six Balances Authenticity and Fantasy

The Author of Groupies on the Miniseries Adaptation of Taylor Jenkins Reid’s Hit Novel

By Sarah Priscus | March 23, 2023

What Melville’s “Bartleby, the Scrivener” Tells Us About Memory Loss

What Melville’s “Bartleby, the Scrivener” Tells Us About Memory Loss

Dasha Kiper on Understanding and Caring For Dementia Patients

By Dasha Kiper | March 23, 2023

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

A Pathless Wood: Navigating the Poetic Border Between Health and Harm

By James Davis May | March 23, 2023

Catherine Lacey on Playing the Long-Game for Her Fiction

By Literary Hub | March 23, 2023

The End of Desire: Christiane Blot-Labarrère on Marguerite Duras’s No More

By Christiane Blot-Labarrère | March 22, 2023

More To Be Shaped By: Searching for Black Nature Writing

More To Be Shaped By: Searching for Black Nature Writing

Erin Sharkey on Decolonizing the Wild Experience

By Erin Sharkey | March 22, 2023

“The Power is Not Going to Be Static.” Madelaine Lucas on Adding Nuance to the May-December Cliché

“The Power is Not Going to Be Static.” Madelaine Lucas on Adding Nuance to the May-December Cliché

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 22, 2023

Min Jin Lee on the Relationship Between Language and Power

Min Jin Lee on the Relationship Between Language and Power

The Pachinko Author Discusses Teaching, Her Novel in Progress, and the Desire to Make a Difference

By Julia Kovalenko | March 22, 2023

Multicultural London: A Reading List of Displacement, Diaspora, and Diversity

Multicultural London: A Reading List of Displacement, Diaspora, and Diversity

Cecile Pin Recommends Zadie Smith, Xiaolu Guo, and More

By Cecile Pin | March 22, 2023

Mark A. Radcliffe Reads from His New Novel <em>Three Gifts</em>

Mark A. Radcliffe Reads from His New Novel Three Gifts

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | March 22, 2023

20 new books to check out today!

20 new books to check out today!

By Gabrielle Bellot | March 21, 2023

Szilvia Molnar on Knowing When to Kill Your Darlings

Szilvia Molnar on Knowing When to Kill Your Darlings

“I sometimes pulled back on reality. But, on the page, I gave close to everything.”

By Szilvia Molnar | March 21, 2023

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Page 130 of 352
    • Adriane Leigh on Why We Are Living in the Age of the Unreliable NarratorJanuary 29, 2026 by Adriane Leigh
    • The Greatest Muckrakers of the Progressive EraJanuary 29, 2026 by Rob Osler
    • Why Revenge Stories Are Hard-Wired Into Our BrainsJanuary 29, 2026 by Pat Kelly
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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