Jan Carson on Capturing the Failures of Northern Ireland in Fiction

Jan Carson on Capturing the Failures of Northern Ireland in Fiction

The Author of "Quickly, While They Still Have Horses" Reflects on a Country's Disappointing Lack of Progress

By Jan Carson | July 10, 2024

Christina Sharpe on John Keene’s <em>Counternarratives</em>

Christina Sharpe on John Keene’s Counternarratives

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 10, 2024

If You’re Going to Platform Extremists You Should At Least Check Their Facts

If You’re Going to Platform Extremists You Should At Least Check Their Facts

Maris Kreizman on Publishing’s Nonfiction Problem

By Maris Kreizman | July 9, 2024

A Deal With the Devil: What the Age-Old Faustian Bargain Reveals About the Modern World

A Deal With the Devil: What the Age-Old Faustian Bargain Reveals About the Modern World

Ed Simon on "The Most Important Story Ever Told," That of Humanity's Transactional Relationship With Evil

By Ed Simon | July 9, 2024

Kevin Barry on Reimagining the Novel: “You Can’t Be Afraid to Go Nuts on the Page”

Kevin Barry on Reimagining the Novel: “You Can’t Be Afraid to Go Nuts on the Page”

Dan Sheehan talks to the author of “The Heart in Winter” about doomed romances in the Mountain West

By Dan Sheehan | July 9, 2024

Why Did Taffy Brodesser-Akner Go to a Psychic to Fix Her Writer's Block?

Why Did Taffy Brodesser-Akner Go to a Psychic to Fix Her Writer's Block?

The Author of “Long Island Compromise” Takes the Lit Hub Questionnaire

By Literary Hub | July 9, 2024

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A Room of One's Own: In Praise of Seclusion in the Service of Craft

By Ben Shattuck | July 9, 2024

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | July 9, 2024

Christine Smallwood on Going Back to the Text

By The Critic and Her Publics | July 9, 2024

Emma Copley Eisenberg on the Setting of Her Debut Novel

Emma Copley Eisenberg on the Setting of Her Debut Novel

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 9, 2024

Mateo Askaripour on the Perks of Genre Agnosticism

Mateo Askaripour on the Perks of Genre Agnosticism

"There’s nothing like throwing the map out the window."

By Mateo Askaripour | July 8, 2024

What Truman Capote’s <em>In Cold Blood</em> Reveals About Its Author's Intentions

What Truman Capote’s In Cold Blood Reveals About Its Author's Intentions

Rachael Hanel on Teaching a True Crime Classic to Incarcerated Women

By Rachael Hanel | July 8, 2024

Expanding Words, Worlds, and Permissions to Be: Five Powerful Trans Books

Expanding Words, Worlds, and Permissions to Be: Five Powerful Trans Books

KB Brookins Recommends Leslie Feinberg, Akwaeke Emezi, C. Riley Snorton, and More

By KB Brookins | July 8, 2024

Finding the Glow Within: What Biology and Fiction Writing Have In Common

Finding the Glow Within: What Biology and Fiction Writing Have In Common

Janie Kim on the Pursuit of Open-Ended Questions in Science and Literature

By Janie Kim | July 8, 2024

Breaking English Open: On Privileging Sound Over Sense

Breaking English Open: On Privileging Sound Over Sense

Moriel Rothman-Zecher Makes the Case Against Italicizing Non-English Words

By Moriel Rothman-Zecher | July 8, 2024

Christian Gullette on Architecture in Verse, Grief’s Layers, and Poems as Liminal Spaces

Christian Gullette on Architecture in Verse, Grief’s Layers, and Poems as Liminal Spaces

In Conversation With the Author of “Coachella Elegy”

By Literary Hub | July 8, 2024

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