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Why Testimonial and Confessional Writing Remains Necessary in the Post-#MeToo Era

Why Testimonial and Confessional Writing Remains Necessary in the Post-#MeToo Era

Jamie Hood In Defense of the Earnest, the Sentimental, and Those Who Still Need to Put Their Trauma Into Words

By Jamie Hood | March 25, 2025

Graydon Carter on <br>The Golden Age of Magazines

Graydon Carter on
The Golden Age of Magazines

Terry McDonell Talks to Legendary Editor About His New Book

By Terry McDonell | March 25, 2025

Fergus McIntosh: “One Wonders”

Fergus McIntosh: “One Wonders”

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | March 25, 2025

Towards a New “Bad” Feminist Canon: Why Feminism Remains Essential

Towards a New “Bad” Feminist Canon: Why Feminism Remains Essential

Roxane Gay on the Importance of Expanding and Complicating Our Understanding of Contemporary Feminist Thought

By Roxane Gay | March 25, 2025

Two Ways To Tell the Same Truth: Navigating the Boundary Between Fact and Fiction

Two Ways To Tell the Same Truth: Navigating the Boundary Between Fact and Fiction

Binnie Kirshenbaum: “To write fiction takes patience and fortitude to fend off the assumptions that our novels are memoirs.”

By Binnie Kirshenbaum | March 25, 2025

The Power of Absence: How Loss Can Help Fuel a Creative Life

The Power of Absence: How Loss Can Help Fuel a Creative Life

Sanam Mahloudji: “If I didn’t feel an absence or a sense of loss, there would be no need to write.”

By Sanam Mahloudji | March 25, 2025

Best Reviewed
Books of the Week

  • Transcription
  • London Falling: A Mysterious Death in a Gilded City and a Family's Search for Truth
  • Attention: Writing on Life, Art, and the World
  • The Oyster Diaries
  • Yesteryear
  • Here Where We Live Is Our Country: The Story of the Jewish Bund

A Black Avant-Garde: How Lorraine O’Grady’s Literary Artwork Fused Poetry and Politics

By Peter Trachtenberg | March 25, 2025

A return to Oz! Jane Austen! Harriet Tubman! Cults! 24 new books out today.

By Gabrielle Bellot | March 25, 2025

A Small Press Book We Love:
Little Blue Encyclopedia (For Vivian) by Hazel Jane Plante

By Drew Broussard | March 24, 2025

On Our Problematic Obsession with First-Love Stories

On Our Problematic Obsession with First-Love Stories

Emily Usher Wants Stories That Show Crushes in All Their Messy, Authentic Glory

By Emily Usher | March 24, 2025

Constructing Blackness: Reading My Identity in Maryse Condé’s “Segu”

Constructing Blackness: Reading My Identity in Maryse Condé’s “Segu”

Mia Fowler on Traveling to Ghana and Making Sense of Herself

By Mia Fowler | March 24, 2025

Farid Matuk on Mirroring, Poetic Artifice, and Complicating Sensuality in Verse

Farid Matuk on Mirroring, Poetic Artifice, and Complicating Sensuality in Verse

The Author of “Moon Mirrored Indivisible” in Conversation with Poets.org

By Literary Hub | March 24, 2025

Mai Der Vang on Generational Trauma

Mai Der Vang on Generational Trauma

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 24, 2025

Lidia Yuknavitch on Shapeshifting

Lidia Yuknavitch on Shapeshifting

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 24, 2025

A Small Press Book We Love: </br><em>Loved and Missed</em> by Susie Boyt

A Small Press Book We Love:
Loved and Missed by Susie Boyt

By Julia Hass | March 21, 2025

New on the Lit Hub Podcast: Choosing the Books For <em>White Lotus</em> and Much More

New on the Lit Hub Podcast: Choosing the Books For White Lotus and Much More

Featuring Brittany K. Allen, Sophie Gee, Jonty Claypole, Josh Cook, and Drew Broussard

By The Lit Hub Podcast | March 21, 2025

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    • Jane Harper on Australian Crime Fiction, Settings, and Crafting Slow-Burn SuspenseApril 16, 2026 by John B. Valeri
    • Your Orient Express Reading ListApril 16, 2026 by Helena Smith
    • Documentaries to Watch Now: Cover-Up (2025)April 16, 2026 by Radha Vatsal
    • Transcription
    • The Best Reviewed Books of the Week
    • "There is so much silence in this novel so much air A novel speaks yes…"
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