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  • Craft and Criticism
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A Self-Made Myth: How Edith Wharton Rewrote Her Own Childhood

A Self-Made Myth: How Edith Wharton Rewrote Her Own Childhood

Constance Roisin on the Author’s Construction of Herself in Fiction and in Life

By Constance Roisin | January 24, 2025

Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?

Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | January 23, 2025

Matter, That Curious and Complex Illusion: Grieving for the Dead in a Universe of Atoms

Matter, That Curious and Complex Illusion: Grieving for the Dead in a Universe of Atoms

Guido Tonelli on the Human Urge to Honor the Dead

By Guido Tonelli | January 23, 2025

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“In place of clear conclusions are persistent themes, like recurring notes in a song.”

By Book Marks | January 23, 2025

The Shape of a Story: On Losing (and Finding) the Plot of Your Novel

The Shape of a Story: On Losing (and Finding) the Plot of Your Novel

Emma Knight: “As the character in this story, I’ve evolved at least to this extent: it’s no longer plot I’m afraid of.”

By Emma Knight | January 23, 2025

Sarah S. Grossman on the Los Angeles Wildfires

Sarah S. Grossman on the Los Angeles Wildfires

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | January 23, 2025

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Betty Shamieh on the Next Generation of Palestinian Fiction

By Betty Samieh | January 22, 2025

“When I Quit Drinking I Quit Writing.” Matthew Nienow on Stumbling Back Into Poetic Vulnerability

By Matthew Nienow | January 22, 2025

Listening to Palestinian Silences: On Fady Joudah’s [. . .]

By Eman Quotah | January 22, 2025

Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets

Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets

In Conversation with Lena Crown on Awakeners

By awakeners | January 22, 2025

John Vaillant on <em>Fire Weather</em>

John Vaillant on Fire Weather

live at the 2024 Sun Vally Writers' Conference

By Sun Valley Writers' Conference | January 22, 2025

Trump 2.0: What the Book World Should Do Now

Trump 2.0: What the Book World Should Do Now

An Essay Series by Josh Cook on How We Should Respond to the New Administration

By Josh Cook | January 21, 2025

Sara Sligar on Modernizing an 18th-Century Literary Cult Classic

Sara Sligar on Modernizing an 18th-Century Literary Cult Classic

Jane Ciabattari Talks to the Author of “Vantage Point”

By Jane Ciabattari | January 21, 2025

Joni Mitchell! Han Kang! Belle & Sebastian! 22 new books out today.

Joni Mitchell! Han Kang! Belle & Sebastian! 22 new books out today.

By Gabrielle Bellot | January 21, 2025

Lee Wind on Creating the Heroes You Want to See in the World

Lee Wind on Creating the Heroes You Want to See in the World

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 21, 2025

David Wroblewski on Writing by Brute Force

David Wroblewski on Writing by Brute Force

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 21, 2025

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Page 56 of 639
    • The Texas Murder Mystery That Launched Skip Hollandsworth Into a Life of Crime WritingOctober 28, 2025 by Skip Hollandsworth
    • We All Make Deals With the Devil: Five Mysteries that Feature Faustian BargainsOctober 28, 2025 by Thomas Olde Heuvelt
    • Ellery Adams on the Allure of Psychics and Mediums in Crime WritingOctober 28, 2025 by Ellery Adams
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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