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On The Many Hauntings of Langston Hughes

On The Many Hauntings of Langston Hughes

Nick Ripatrazone Considers the Poet's Close Encounters With the Supernatural

By Nick Ripatrazone | October 31, 2023

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More

By Diana Helmuth | October 31, 2023

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

Adrian Van Young on the Monstrous Stories That Shaped Him

By Adrian Van Young | October 31, 2023

The Scariest, Creepiest, and Most Frightening Animals in Fiction

The Scariest, Creepiest, and Most Frightening Animals in Fiction

Justin C. Key Finds the Best (or Worst?) in Horror

By Justin C Key | October 31, 2023

What Are Thriller Writers Truly Afraid Of?

What Are Thriller Writers Truly Afraid Of?

Danielle Trussoni Talks with Four Authors on How Their Fears Make it into Their Fiction

By Danielle Trussoni | October 31, 2023

Something Is Rotten in Horror’s Use of Pedagogy

Something Is Rotten in Horror’s Use of Pedagogy

Tyler Malone on the Canker in the Classroom

By Tyler Malone | October 31, 2023

Best Reviewed
Books of the Week

  • Country People
  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • The Great Wherever
  • A Sudden Flicker of Light: A Revisionist History of Movies
  • The Simp: A Novel Without a Hero

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

By Justin Phillip Reed | October 31, 2023

Michael Lewis on Watching Sam Bankman-Fried

By Talk Easy | October 31, 2023

Tim O'Brien on Letting the World Decide What He'll Read Next

By Literary Hub | October 30, 2023

A Master Class in Words: On the Vitality and Vividness of <em>The Iliad</em>'s Opening Lines

A Master Class in Words: On the Vitality and Vividness of The Iliad's Opening Lines

Robin Lane Fox Considers the Movement of Homer's Epic

By Robin Lane Fox | October 30, 2023

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 30, 2023

America's First Man of Letters: Washington Irving

America's First Man of Letters: Washington Irving

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 30, 2023

Patty Crane on Translation and Influence

Patty Crane on Translation and Influence

"Somewhere along the way, my immersion in Tranströmer and my search for a sense of place merged. As if the poetry became the place, and the place the poetry."

By Patty Crane | October 27, 2023

October's Best Reviewed Nonfiction

October's Best Reviewed Nonfiction

Featuring New Titles by Safiya Sinclair, Nathan Thrall, Hilary Mantel, and More

By Book Marks | October 27, 2023

October's Best Reviewed Fiction

October's Best Reviewed Fiction

Featuring New Titles by Jhumpa Lahiri, Teju Cole, Benjamín Labatut, and More

By Book Marks | October 27, 2023

<em>Dory Fantasmagory</em> author Abby Hanlon has the real Tubtown toy.

Dory Fantasmagory author Abby Hanlon has the real Tubtown toy.

By Janet Manley | October 26, 2023

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Page 222 of 856
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    • How Pinellas County, Florida Shaped the Strange Life of Conman Paul SkalnikJuly 14, 2026 by Pamela Colloff
    • Jo Piazza on Writing Convincing Art Heists and Museum MysteriesJuly 14, 2026 by Jo Piazza
    • Country People
    • The Best Reviewed Books of the Week
    • "Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"
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