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Robin Lane Fox on Why We Still Read Homer

Robin Lane Fox on Why We Still Read Homer

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 8, 2023

Meet the 2023 National Book Award Finalists

Meet the 2023 National Book Award Finalists

Rapid-Fire Interviews with Some of Our Best Writers and Translators

By Emily Temple | November 8, 2023

Sigrid Nunez on the Process of Writing a Pandemic Novel

Sigrid Nunez on the Process of Writing a Pandemic Novel

Jane Ciabattari Talks to the Author of The Vulnerables

By Jane Ciabattari | November 7, 2023

Why Naoise Dolan Learned Italian for Her Book Tour

Why Naoise Dolan Learned Italian for Her Book Tour

And Why Reading, Writing, and Speaking a New Language Imperfectly is OK

By Naoise Dolan | November 7, 2023

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

The Author of Class Takes the Lit Hub Questionnaire

By Stephanie Land | November 7, 2023

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

On Crime Storytelling and Why Aiming for Closure Can Be Problematic

By Lindsay Hunter | November 7, 2023

Best Reviewed
Books of the Week

  • Ghost-Eye
  • Trash!: A Garbageman's Story
  • As If
  • Good Company
  • Radical Duke: How One Aristocrat-And the American Revolution-Transformed Britain
  • Monster of a Land: On the Road in Search of Modern America

Literature's Porous Borders: Where Fiction Ends and Reality Begins

By Salar Abdoh | November 7, 2023

Liquid Repetition: Drew Johnson on the Experience of Reading Marguerite Young’s Miss Macintosh, My Darling

By Drew Johnson | November 7, 2023

Marina Abramović on Her Expansive View of Art-Making

By Talk Easy | November 7, 2023

Writing Discipline Envy: Tracy K. Smith Wakes Early and Meditates

Writing Discipline Envy: Tracy K. Smith Wakes Early and Meditates

The Author of To Free the Captives: A Plea for the American Soul Takes the Lit Hub Questionnaire

By Tracy K. Smith | November 6, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

"I may not know exactly where I’m going when I start a piece of writing, but I’m sure I can find my way"

By Virginia Pye | November 6, 2023

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 6, 2023

Everything You Need to Know About Groundbreaking Queer Feminist Science Fiction Writer Joanna Russ

Everything You Need to Know About Groundbreaking Queer Feminist Science Fiction Writer Joanna Russ

Jon Michaud Talks to Nicole Rudick About "One of the Fiercest Critics Ever to Write About Science Fiction"

By Jon Michaud | November 3, 2023

Pantheons of the Past in the Present: A Reading List of Modern African Books Based on Mythology

Pantheons of the Past in the Present: A Reading List of Modern African Books Based on Mythology

Wole Talabi Recommends Namina Forna, Ngũgĩ wa Thiong’o, Chịkọdịlị Emelụmadụ, and More

By Wole Talabi | November 3, 2023

John Manuel Arias on Decolonial Storytelling and the Multi-Generational Family Novel

John Manuel Arias on Decolonial Storytelling and the Multi-Generational Family Novel

The Author of Where There Was Fire in Conversation with Christine Kandic Torres

By Christine Kandic Torres | November 3, 2023

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    • What to Watch Now, International Edition: Infernal Affairs (2002)June 18, 2026 by Radha Vatsal
    • Ghost-Eye
    • The Best Reviewed Books of the Week
    • "Strikingly em Ghost-Eye em has none of the eerie mood of a Gothic novel or…"
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