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Craft and Criticism
Estranging English: Mandy-Suzanne Wong on Constructing New Literary Languages
"When you are a foreigner, nothing around you is necessarily what it is."
By
Mandy-Suzanne Wong
| September 19, 2023
Cleo Qian on the Differences Between Writing Poetry and Fiction
In Conversation with Lindsay Hunter on
I'm a Writer But
By
I'm a Writer But
| September 19, 2023
What's Unreal is Real: Alicia Elliott on the Tired Trope of Madness in Fiction
"There is a cheapness to this sort of revelation."
By
Alicia Elliott
| September 18, 2023
Poet and Translator Dong Li on the "Common Tongue of Poetry"
Peter Mishler Talks to the Author of
The Orange Tree
By
Peter Mishler
| September 18, 2023
The Many Lessons from James Baldwin's
Another Country
Carole Burns Rediscovers a Masterclass in Craft
By
Carole Burns
| September 18, 2023
The Marvelous Real: Leonardo Padura on Alejo Carpentier's
The Lost Steps
"Art entails a kind of knowledge that is undoubtedly transcendent in character. And yet art must be, is, something more."
By
Leonardo Padura
| September 18, 2023
Best Reviewed
Books of the Week
James Shapiro on Shakespeare and America
By
History of Literature
| September 18, 2023
James McBride on Going on Faith
By
First Draft: A Dialogue on Writing
| September 18, 2023
Ghassan Zeineddine on What Short Stories Do That Novels Can’t
By
Memoir Nation
| September 18, 2023
Kathleen Rooney on Writing Architecturally
"In fiction, architecture can reveal that which might otherwise remain unreveal-able."
By
Kathleen Rooney
| September 15, 2023
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Lauren Groff, Naomi Klein, James Ellroy, and More
By
Book Marks
| September 15, 2023
Committing to the High Romance of
The Notebook
Annie Berke on Pre-Ken Ryan Gosling and the Campless Excess of the 2004 Adaptation
By
Annie Berke
| September 15, 2023
A Lot of Pain and A Lot of Humor: Ottessa Moshfegh on Dinah Brooke's
Lord Jim at Home
"I didn’t care, and I didn’t worry, but I was suspended, consistently and dramatically, in the mirage of the novel."
By
Ottessa Moshfegh
| September 14, 2023
What Writing Under the Constant Threat of Deluge Taught Me about the Creative Process
Carol Dunbar on the Risk and Romance of Working in a Water Tower
By
Carol Dunbar
| September 14, 2023
Andy Borowitz and A. J. Jacobs on Living in the Age of Ignorance
The Authors of
Profiles in Ignorance
and
The Year of Living Biblically
in Conversation
By
Literary Hub
| September 14, 2023
John Manuel Arias on Living With and Writing Ghosts
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| September 14, 2023
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Page 215 of 840
What to Watch Now, International Edition: Sirat (2025)
May 7, 2026
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Radha Vatsal
Charles Ardai on Noir, Comics, and the Ongoing Adventures of Hard Case Crime
May 7, 2026
by
Alex Dueben
The Best Amateur Sleuths in Fiction, According to Uzma Jalaluddin
May 7, 2026
by
Uzma Jalaluddin
The Best Reviewed Books of the Week
"Mackintosh has a spare and confident hand Her work is sometimes described as dreamlike certainly…"