Literary Hub » Craft and Criticism

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Genevieve DeGuzman Channels Grief and Loss Into Imagining Other Worlds

By Genevieve DeGuzman | March 16, 2026

Janine Kovac on Getting Into Writing Residencies and Book Festivals

Janine Kovac on Getting Into Writing Residencies and Book Festivals

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 16, 2026

Philip Schultz on Unavoidable Mortality

Philip Schultz on Unavoidable Mortality

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 16, 2026

Is This the Most Literary Video Game of All Time?

Is This the Most Literary Video Game of All Time?

Josh Lambert on Meredith Gran’s Perfect Tides: Station to Station

By Josh Lambert | March 13, 2026

Andrew Martin on How to Manage Exposition

Andrew Martin on How to Manage Exposition

Don’t Fear the Info Dump

By Andrew Martin | March 13, 2026

Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

In Which Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | March 13, 2026

Best Reviewed
Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | March 13, 2026

Aracelis Girmay on Reading Toni Morrison and Lucille Clifton

By Thresholds | March 13, 2026

On the Power of Maia Kobabe’s Gender Queer, One of the Most Banned Books of Its Era

By Nico Mara-McKay | March 12, 2026

On Lio Min’s <em>Beating Heart Baby</em> as “Portable Fortress of Dreams”

On Lio Min’s Beating Heart Baby as “Portable Fortress of Dreams”

Alexander Chee Considers the 2022 YA Romance

By Alexander Chee | March 12, 2026

On the Pure Pleasure of Plot in Gretchen Felker-Martin’s <em>Manhunt</em>

On the Pure Pleasure of Plot in Gretchen Felker-Martin’s Manhunt

Harron Walker Considers the 2020 Speculative Horror Novel

By Harron Walker | March 12, 2026

What Was Lost: A Queer Accounting of the <em>NY Times Book Review</em>, 2013-2022

What Was Lost: A Queer Accounting of the NY Times Book Review, 2013-2022

Thirteen Essential Books by Trans and Queer Writers,
Reviewed by Trans and Queer Writers

By Sandy Ernest Allen | March 12, 2026

On <em>Hail Mary</em>, an Important History of American Women Playing Tackle Football

On Hail Mary, an Important History of American Women Playing Tackle Football

Julie Kliegman Consdiers Frankie de la Cretaz and Lyndsey D’Arcangelo’s 2021 History

By Julie Kliegman | March 12, 2026

On the Struggle to Be a Good Man in Vivek Shraya’s <em>I’m Afraid of Men</em>

On the Struggle to Be a Good Man in Vivek Shraya’s I’m Afraid of Men

Costa Beavin Pappas Considers the 2018 Memoir

By Costa Beavin Pappas | March 12, 2026

On T Cooper’s Early Meditations on Being a Trans Man, <em>Real Man Adventures</em>

On T Cooper’s Early Meditations on Being a Trans Man, Real Man Adventures

Calvin Kasulke Considers the 2013 Essay Collection

By Calvin Kasulke | March 12, 2026

“By a Trans Woman, About Trans Women, For Trans Readers.” On Imogen Binnie’s <em>Nevada</em>

“By a Trans Woman, About Trans Women, For Trans Readers.” On Imogen Binnie’s Nevada

Denne Michele Norris Considers the 2013 Novel

By Denne Michele Norris | March 12, 2026

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