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Blood on All Our Hands: Gunnhild Øyehaug on Adania Shibli’s <em>Minor Detail</em>

Blood on All Our Hands: Gunnhild Øyehaug on Adania Shibli’s Minor Detail

“The book had overwhelmed me, among other things, because of this: shame at how little I actually knew.”

By Gunnhild Øyehaug | February 12, 2024

“A Thousand Eulogies Are Exported to the Comma.” Of Syntax and Genocide

“A Thousand Eulogies Are Exported to the Comma.” Of Syntax and Genocide

Nicki Kattoura on the Impossibility of Writing About the Destruction of Gaza

By Nicki Kattoura | February 12, 2024

Stories That Astonish and Take Risks: Ten New Children’s Books Out in February

Stories That Astonish and Take Risks: Ten New Children’s Books Out in February

Caroline Carlson Recommends Katherine Marsh, Zohreh Ghahremani, Adam Gidwitz, and More

By Caroline Carlson | February 12, 2024

Jordan Pérez on Understanding Womanhood Through Nature and Learning Poetic Restraint

Jordan Pérez on Understanding Womanhood Through Nature and Learning Poetic Restraint

The Author of “Santa Tarantula” in Conversation with Poets.org

By Jordan Pérez | February 12, 2024

Less is More: Shannon Reed on Re-Learning How to Read

Less is More: Shannon Reed on Re-Learning How to Read

“Reading is no longer a race that I might win, but a lifelong companion.”

By Shannon Reed | February 12, 2024

Aubre Andrus on Writing for Hire

Aubre Andrus on Writing for Hire

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | February 12, 2024

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

Notes on Camp: Caitlin Cowan on the Joys of Working With Young Writers

By Caitlin Cowan | February 9, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

By Book Marks | February 9, 2024

Mako Yoshikawa on How Making Sushi Can Improve Your Writing

By Mako Yoshikawa | February 9, 2024

The Physics of Fiction: How Art and Science Inspire Each Other

The Physics of Fiction: How Art and Science Inspire Each Other

Paul Halpern on Literary Representations of Black Holes, Wormholes, and Multiple Dimensions

By Paul Halpern | February 9, 2024

Am I the Literary Assh*le? To Blurb, To Follow, To Ghost (Or Not to Ghost)?

Am I the Literary Assh*le? To Blurb, To Follow, To Ghost (Or Not to Ghost)?

Kristen Arnett Answers Your Awkward Questions About the Literary Life

By Kristen Arnett | February 8, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“The most ambitious and accomplished Australian novel of this century.”

By Book Marks | February 8, 2024

Jacinda Townsend and James Bernard Short on <em>American Fiction</em>

Jacinda Townsend and James Bernard Short on American Fiction

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | February 8, 2024

Killing Your Characters Is Traumatic: And It Should Be

Killing Your Characters Is Traumatic: And It Should Be

“You will have to do it over and over again, and it will never, ever become less fraught. In fact, it shouldn’t.”

By Karen Outen | February 7, 2024

Yiyun Li on Georges Bernanos’ <em>Mouchette</em>

Yiyun Li on Georges Bernanos’ Mouchette

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | February 7, 2024

To Americanize or Americanise: Writing a New Zealand Novel in the America-Dominant Publishing World

To Americanize or Americanise: Writing a New Zealand Novel in the America-Dominant Publishing World

Rebecca K Reilly on the Editors Who Told Her to Change Her Novel for an American Audience

By Rebecca K Reilly | February 7, 2024

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    • Phoebe Atwood Taylor and the Search for the Quintessential Cape Cod MysteryJune 12, 2026 by Dwyer Murphy
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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