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  • Craft and Criticism
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Madelaine Lucas on How to Write a Love Story

Madelaine Lucas on How to Write a Love Story

“The middle of the story—like the middle of love—is where complexity and intimacy dwell.”

By Madelaine Lucas | March 24, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring new titles by Catherine Lacey, Matthew Desmond, Sebastian Barry, and More

By Book Marks | March 24, 2023

Shannon McLeod on the Emotional Stability of Flash Fiction and Uncertainty of Novel Writing

Shannon McLeod on the Emotional Stability of Flash Fiction and Uncertainty of Novel Writing

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 24, 2023

The Books We Need Now: A Reading List of Heroines Who Are Hot Messes

The Books We Need Now: A Reading List of Heroines Who Are Hot Messes

Justine Sullivan Recommends Meg Mason, Nikki May, and more

By Justine Sullivan | March 24, 2023

Sabrina Orah Mark on Fairy Tales Designed to Wake Us Up

Sabrina Orah Mark on Fairy Tales Designed to Wake Us Up

In Conversation with Andrew Keen on Keen On

By Keen On | March 24, 2023

13 Adaptations Better Than the Books They’re Based On

13 Adaptations Better Than the Books They’re Based On

(GASP)

By Emily Temple | March 23, 2023

Best Reviewed
Books of the Week

“It Was All in the Service of Not Wanting Queer People to Have to Justify Themselves.” Why Catherine Lacey Rewrote History in Biography of X

By The Maris Review | March 23, 2023

Alone on the Range: Victor LaValle on Lone Women’s Homesteaders, History, and Horror

By Fiction Non Fiction | March 23, 2023

5 Book Reviews You Need to Read This Week

By Book Marks | March 23, 2023

<em>Daisy Jones & the Six</em> Balances Authenticity and Fantasy

Daisy Jones & the Six Balances Authenticity and Fantasy

The Author of Groupies on the Miniseries Adaptation of Taylor Jenkins Reid’s Hit Novel

By Sarah Priscus | March 23, 2023

What Melville’s “Bartleby, the Scrivener” Tells Us About Memory Loss

What Melville’s “Bartleby, the Scrivener” Tells Us About Memory Loss

Dasha Kiper on Understanding and Caring For Dementia Patients

By Dasha Kiper | March 23, 2023

A Pathless Wood: Navigating the Poetic Border Between Health and Harm

A Pathless Wood: Navigating the Poetic Border Between Health and Harm

James Davis May on Poetry's Power to Indulge and Control Depression

By James Davis May | March 23, 2023

Julia Samuel on Transgenerational Trauma and Family Well-Being

Julia Samuel on Transgenerational Trauma and Family Well-Being

In Conversation with Roxanne Coady on Just the Right Book

By Just the Right Book | March 23, 2023

Catherine Lacey on Playing the Long-Game for Her Fiction

Catherine Lacey on Playing the Long-Game for Her Fiction

“I’m making a body of work over a lifetime.”

By Literary Hub | March 23, 2023

The End of Desire: Christiane Blot-Labarrère on Marguerite Duras’s <em>No More</em>

The End of Desire: Christiane Blot-Labarrère on Marguerite Duras’s No More

"The sentiment of never more—this is the labyrinth in which language helplessly tries to beguile death."

By Christiane Blot-Labarrère | March 22, 2023

More To Be Shaped By: Searching for Black Nature Writing

More To Be Shaped By: Searching for Black Nature Writing

Erin Sharkey on Decolonizing the Wild Experience

By Erin Sharkey | March 22, 2023

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    • Sapphic Sleuths, Magicians, Lesbian Nuns, and More: Eight Queer Mysteries for Every MoodOctober 21, 2025 by CrimeReads
    • Love Thy Neighbor, and Watch Thy Back: Why Neighbors Kill Each Other in Literature (and Life)October 21, 2025 by Chuck Storla
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