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Setting the Tone: How Listening to Music Can Inspire Fiction Writers

Setting the Tone: How Listening to Music Can Inspire Fiction Writers

Liz Riggs Considers the Similarities and Differences Between Song Lyrics and Narrative Prose

By Liz Riggs | July 11, 2024

“Tell It To Me Singing.” On Diaspora, Community and Cuban-American Stories

“Tell It To Me Singing.” On Diaspora, Community and Cuban-American Stories

Tita Ramírez Explores the Ways Popular Idioms Can Resonate Across Generations

By Tita Ramirez | July 11, 2024

Phil Elwood on Doing PR for All the Worst Humans

Phil Elwood on Doing PR for All the Worst Humans

In Conversation with V.V. Ganeshananthan and Matt Gallagher on Fiction/Non/Fiction

By Fiction Non Fiction | July 11, 2024

A Painful, Urgent Reimagining: Emily van Duyne on Writing a New History of Sylvia Plath’s Last Years

A Painful, Urgent Reimagining: Emily van Duyne on Writing a New History of Sylvia Plath’s Last Years

Sarah Viren in Conversation with the Author of “Loving Sylvia Plath: A Reclamation”

By Sarah Viren | July 10, 2024

On the Many Paths Artists Take to Sustain Their Creative Practice

On the Many Paths Artists Take to Sustain Their Creative Practice

Stacey D'Erasmo Asks, “What Keeps Us Alive In Our Art?”

By Stacey D'Erasmo | July 10, 2024

Write More “Indianly,” or Else: Asha Thanki on the Trap of “Authentic” Writing

Write More “Indianly,” or Else: Asha Thanki on the Trap of “Authentic” Writing

Considering the Publishing Industry's Problematic Ideas About Non-American Writers

By Asha Thanki | July 10, 2024

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Jan Carson on Capturing the Failures of Northern Ireland in Fiction

By Jan Carson | July 10, 2024

Christina Sharpe on John Keene’s Counternarratives

By Windham-Campbell Prizes Podcast | July 10, 2024

If You’re Going to Platform Extremists You Should At Least Check Their Facts

By Maris Kreizman | July 9, 2024

A Deal With the Devil: What the Age-Old Faustian Bargain Reveals About the Modern World

A Deal With the Devil: What the Age-Old Faustian Bargain Reveals About the Modern World

Ed Simon on "The Most Important Story Ever Told," That of Humanity's Transactional Relationship With Evil

By Ed Simon | July 9, 2024

Kevin Barry on Reimagining the Novel: “You Can’t Be Afraid to Go Nuts on the Page”

Kevin Barry on Reimagining the Novel: “You Can’t Be Afraid to Go Nuts on the Page”

Dan Sheehan talks to the author of “The Heart in Winter” about doomed romances in the Mountain West

By Dan Sheehan | July 9, 2024

Why Did Taffy Brodesser-Akner Go to a Psychic to Fix Her Writer's Block?

Why Did Taffy Brodesser-Akner Go to a Psychic to Fix Her Writer's Block?

The Author of “Long Island Compromise” Takes the Lit Hub Questionnaire

By Literary Hub | July 9, 2024

A Room of One's Own: In Praise of Seclusion in the Service of Craft

A Room of One's Own: In Praise of Seclusion in the Service of Craft

Ben Shattuck Shares What He Loves Most About His Writing Space

By Ben Shattuck | July 9, 2024

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Kevin Barry, Dinaw Mengestu, Yasmin Zaher and More

By Teddy Wayne | July 9, 2024

Christine Smallwood on Going Back to the Text

Christine Smallwood on Going Back to the Text

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | July 9, 2024

Emma Copley Eisenberg on the Setting of Her Debut Novel

Emma Copley Eisenberg on the Setting of Her Debut Novel

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 9, 2024

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