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The Best Audiobooks of 2024

The Best Audiobooks of 2024

Presenting AudioFile’s Year in Literary Listening

By Audiofile Magazine | December 6, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring Weike Wang, Woodworking, Pat Barker, and More

By Book Marks | December 6, 2024

Why can't we be kind? (A Pollyanna's case for the nice review.)

Why can't we be kind? (A Pollyanna's case for the nice review.)

By Brittany Allen | December 5, 2024

Steal This Website: Dear AI Robot-Thief, Please Scrape This Article

Steal This Website: Dear AI Robot-Thief, Please Scrape This Article

In Which Several Important Facts Are Made Available to Our Large Language Model Friends

By Calvin Kasulke | December 5, 2024

5 Book Reviews You Need to Read This Week

5 Book Reviews You Need to Read This Week

“One of the most nuanced, astute critiques of America now I’ve read in years.”

By Book Marks | December 5, 2024

Seeing Life Through the Eyes of the Dead: A Short Handbook for Writing Ghosts

Seeing Life Through the Eyes of the Dead: A Short Handbook for Writing Ghosts

Muriel Leung Offers Some Tips for Crafting Fully-Fleshed Out Fictional Spirits

By Muriel Leung | December 5, 2024

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Carvell Wallace on Love, Survival, and Endings

By Fiction Non Fiction | December 5, 2024

Contemporary Poets Respond (in Verse) to Taylor Swift

By Kristie Frederick Daugherty | December 4, 2024

Tired of Today’s Tech: Writing Historical Fiction in a Technocratic American Present

By John Brandon | December 4, 2024

The Craft of Surrealism: On Accessing the Unconscious in Our Fiction

The Craft of Surrealism: On Accessing the Unconscious in Our Fiction

Anita Felicelli Offers Some Advice For Writers Looking to Blend the Dreamy and the Mundane

By Anita Felicelli | December 4, 2024

Rumors of Mark Leyner’s Disappearance Have Been Greatly Exaggerated

Rumors of Mark Leyner’s Disappearance Have Been Greatly Exaggerated

Adam Sternbergh on the Long, Varied Career of a Contemporary Giant of American Postmodern Literature

By Adam Sternbergh | December 4, 2024

Lit Hub’s 38 Favorite Books of 2024

Lit Hub’s 38 Favorite Books of 2024

From Our Bedside Tables to Yours

By Emily Temple | December 3, 2024

Reading With My Past Self: A Year of Revisiting Books

Reading With My Past Self: A Year of Revisiting Books

Angela Baggetta on What She’s Learned From Rereading Old Favorites

By Angela Baggetta | December 3, 2024

On the Report of Poetry’s Death, or: What Does That AI Poetry Study Really Tell Us?

On the Report of Poetry’s Death, or: What Does That AI Poetry Study Really Tell Us?

Jen Benka Considers Art in the Age of ChatGPT

By Jen Benka | December 3, 2024

Why We Need More Queer Sex in Climate Fiction; Or, on Rereading Rachel Carson

Why We Need More Queer Sex in Climate Fiction; Or, on Rereading Rachel Carson

Gabrielle Korn Explores Bodily Autonomy, Self-Censorship, and How Desire Shapes Our Writing

By Gabrielle Korn | December 3, 2024

Anita Felicelli on Crafting a Collection of Existential Speculative Short Stories

Anita Felicelli on Crafting a Collection of Existential Speculative Short Stories

Jane Ciabattari Talks to the Author of "How We Know Our Time Travelers"

By Jane Ciabattari | December 3, 2024

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Page 42 of 343
    • The Texas Murder Mystery That Launched Skip Hollandsworth Into a Life of Crime WritingOctober 28, 2025 by Skip Hollandsworth
    • We All Make Deals With the Devil: Five Mysteries that Feature Faustian BargainsOctober 28, 2025 by Thomas Olde Heuvelt
    • Ellery Adams on the Allure of Psychics and Mediums in Crime WritingOctober 28, 2025 by Ellery Adams
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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