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  • Craft and Criticism
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Kai Bird on Joining Martin Sherwin to Write Oppenheimer's Biography

Kai Bird on Joining Martin Sherwin to Write Oppenheimer's Biography

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | September 8, 2023

Maurice Carlos Ruffin on the History of Powerful Black Women Challenging the Establishment

Maurice Carlos Ruffin on the History of Powerful Black Women Challenging the Establishment

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 7, 2023

Myriam Gurba on Writing the Visceral

Myriam Gurba on Writing the Visceral

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 7, 2023

How to Live in Nature: S.L. Coney, Ruthanna Emrys, and Alexis Pauline Gumbs

How to Live in Nature: S.L. Coney, Ruthanna Emrys, and Alexis Pauline Gumbs

Tor Presents: Voyage Into Genre S03E03

By Tor Presents: Voyage into Genre | September 6, 2023

Richard Powers on How to Reconnect with Earth

Richard Powers on How to Reconnect with Earth

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | September 6, 2023

“Code words to say what can’t be said”: James Hannaham Talks to a Writer in Solitary Confinement

“Code words to say what can’t be said”: James Hannaham Talks to a Writer in Solitary Confinement

Kwaneta Harris and James Hannaham on Queerness and the Silencing of the Incarcerated

By Moira Marquis | September 5, 2023

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

David van den Berg on Seeing the Darkness

By First Draft: A Dialogue on Writing | September 5, 2023

The Never-Ending Transgender Talk Show: A Conversation with Framing Agnes Director Chase Joynt

By Spencer Williams | September 1, 2023

Kansas Reflector Editor-in-Chief Sherman Smith on Freedom of the Press

By Fiction Non Fiction | August 31, 2023

Hilary Leichter on Time and Re-Reading

Hilary Leichter on Time and Re-Reading

In Conversation with Maris Kreizman on The Maris Review

By The Maris Review | August 31, 2023

Nancy Bilyeau Reads From <em>The Orchid Hour</em>

Nancy Bilyeau Reads From The Orchid Hour

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | August 30, 2023

Angie Kim on Measures of Happiness and the Many Forms Intelligence Can Take

Angie Kim on Measures of Happiness and the Many Forms Intelligence Can Take

Jane Ciabattari Talks to the Author of Happiness Falls

By Jane Ciabattari | August 29, 2023

Anne Lamott on Starting Where You Are

Anne Lamott on Starting Where You Are

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | August 29, 2023

Daniel Hornsby on the Charisma of a First-Person Narrator

Daniel Hornsby on the Charisma of a First-Person Narrator

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | August 29, 2023

Miles Franklin Winner Shankari Chandran on Defining Australianness

Miles Franklin Winner Shankari Chandran on Defining Australianness

In Conversation with Janet Manley

By Janet Manley | August 28, 2023

Patrick Whitmarsh on Fiction's Response to Existential Crises

Patrick Whitmarsh on Fiction's Response to Existential Crises

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 28, 2023

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Page 40 of 215
    • The Best Fiction in Translation of Fall 2025November 21, 2025 by Molly Odintz
    • “Whoever Wrote this Episode Should Die": "Galaxy Quest" Is Personal, and it's Personal to MeNovember 21, 2025 by Olivia Rutigliano
    • Breaking In: A Field Guide to Heist Plot TypesNovember 21, 2025 by Norman Birnbach and Tilia Klebenov Jacobs
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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