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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
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    • Poem
  • News and Culture
    • History
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    • Awakeners
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    • Memoir Nation
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
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  • CrimeReads
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  • Log In
Rob Copeland on Ray Dalio and Bridgewater

Rob Copeland on Ray Dalio and Bridgewater

In Conversation with Andrew Keen on Keen On

By Keen On | November 14, 2023

Athena Dixon on Being a Human Being, Not a Brand

Athena Dixon on Being a Human Being, Not a Brand

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | November 14, 2023

Why We Should Celebrate the 400th Anniversary of Shakespeare’s First Folio

Why We Should Celebrate the 400th Anniversary of Shakespeare’s First Folio

Six Scholars on the Most Important 844,421 Words in Literature

By Literary Hub | November 13, 2023

Tatiana Johnson-Boria on Writing Poems Like Film Montages

Tatiana Johnson-Boria on Writing Poems Like Film Montages

The Poet on Her New Collection Nocturne in Joy

By Literary Hub | November 13, 2023

Edgar Kunz on Knowing When a Poem is Finished

Edgar Kunz on Knowing When a Poem is Finished

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 13, 2023

Juliet Hooker on the Need to Expand Our Political Imaginations

Juliet Hooker on the Need to Expand Our Political Imaginations

In Conversation with Andrew Keen on Keen On

By Keen On | November 13, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Abraham Verghese: A Writer in the World

By Sun Valley Writers' Conference | November 10, 2023

The Urgent Importance of Making Space for Stories from the Farmworking Community

By Literary Hub | November 9, 2023

Lesley Nneka Arimah on Why Black Horror Speaks to Us Now

By Fiction Non Fiction | November 9, 2023

Stephanie Land On Allowing Herself To Get Angry

Stephanie Land On Allowing Herself To Get Angry

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 9, 2023

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

In Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2023

Reese Hogan on Sentience, Humanity, and Robots

Reese Hogan on Sentience, Humanity, and Robots

In Conversation with Brenda Noiseux & Rob Wolf on the New Books Network

By New Books Network | November 9, 2023

Lisa Gornick and Alice Elliott Dark on Altered States of Consciousness and Our (More than Five) Senses

Lisa Gornick and Alice Elliott Dark on Altered States of Consciousness and Our (More than Five) Senses

The Authors of Ana Turns and Fellowship Point in Conversation

By Literary Hub | November 8, 2023

Daniel Finkelstein on How His Family Survived Both Hitler and Stalin

Daniel Finkelstein on How His Family Survived Both Hitler and Stalin

In Conversation with Andrew Keen on Keen On

By Keen On | November 8, 2023

Robin Lane Fox on Why We Still Read Homer

Robin Lane Fox on Why We Still Read Homer

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 8, 2023

Meet the 2023 National Book Award Finalists

Meet the 2023 National Book Award Finalists

Rapid-Fire Interviews with Some of Our Best Writers and Translators

By Emily Temple | November 8, 2023

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Page 35 of 214
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    • The Best Psychological Thrillers of November 2025November 7, 2025 by Molly Odintz
    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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