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Am I the Literary Asshole: Do You Have to Finish a Book to Blurb It?

Am I the Literary Asshole: Do You Have to Finish a Book to Blurb It?

Kristen Arnett Answers Your Awkward Questions About (Very) Bad Literary Behavior

By Kristen Arnett | March 7, 2024

A Subterranean Kinship: Rachel Lyon and Leslie Jamison on Writing Separate But Related Books

A Subterranean Kinship: Rachel Lyon and Leslie Jamison on Writing Separate But Related Books

A Conversation About Mythology, Motherhood, Literary Resonances, and More

By Leslie Jamison | March 6, 2024

Jacke Wilson on Samuel Taylor Coleridge

Jacke Wilson on Samuel Taylor Coleridge

From The History of Literature Podcast with Jacke Wilson

By History of Literature | March 6, 2024

I Would Be Lost As a Writer If It Weren’t For Notebooks

I Would Be Lost As a Writer If It Weren’t For Notebooks

Cristina Henriquez on the Unexpected Power of Getting (and Almost Losing) a Notebook

By Cristina Henriquez | March 5, 2024

Brandi Wells on Their Muppet Baby Muses

Brandi Wells on Their Muppet Baby Muses

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | March 5, 2024

Sloane Crosley on Staying on the Side of the Living

Sloane Crosley on Staying on the Side of the Living

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 4, 2024

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

Javier Zamora on Strategies for Writing About Childhood Trauma

By Memoir Nation | March 4, 2024

Imagining a World Where Anti-Colonial Fantasy Lit Is the Norm, Not the Exception

By Melissa Blair | March 1, 2024

The Art of the Mini Sales Pitch: How to Subtitle Your Book So People Will Read It

By Tajja Isen | February 29, 2024

Tessa Hadley on Ivan Turgenev’s <em>First Love</em>

Tessa Hadley on Ivan Turgenev’s First Love

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | February 28, 2024

Hannah Goldfield on the Joy of Describing Tastes

Hannah Goldfield on the Joy of Describing Tastes

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | February 27, 2024

Martin MacInnes on Crafting Psychologically Rich Science Fiction

Martin MacInnes on Crafting Psychologically Rich Science Fiction

Jane Ciabattari Talks to the Author of “In Ascension”

By Jane Ciabattari | February 27, 2024

The Sweetness at the Core: Maurice Carlos Ruffin on the Positive, Humanizing Power of Fiction

The Sweetness at the Core: Maurice Carlos Ruffin on the Positive, Humanizing Power of Fiction

Considering the Central Role of Community and Solidarity in Stories of Marginalization

By Maurice Carlos Ruffin | February 27, 2024

Kyle MacLachlan Keeps Himself Open

Kyle MacLachlan Keeps Himself Open

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | February 27, 2024

Want to Write Better? Consider Building Your Own Writing Desk

Want to Write Better? Consider Building Your Own Writing Desk

Devin Murphy on Woodworking, Writerly Angst, and Freeing Up the Energy to Compose

By Devin Murphy | February 26, 2024

Ethel Rohan on Recovering From a “Failed” First Novel

Ethel Rohan on Recovering From a “Failed” First Novel

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | February 26, 2024

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Page 89 of 343
    • 6 Suspense Novels About Art, Museums, and ForgersJune 17, 2026 by Carol Snow
    • 5 Propulsive Thrillers Featuring Trauma, Reunions, and Lingering PastsJune 17, 2026 by Jaclyn Goldis
    • Beau L’Amour and Ryan Pote Discuss a Long Legacy of ThrillersJune 17, 2026 by Beau L'Amour
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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