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Dara Barrois/Dixon on the Lived Poetry of the Late James Tate

Dara Barrois/Dixon on the Lived Poetry of the Late James Tate

Peter Mishler Talks to One of the Editors of Hell, I Love Everybody: The Essential James Tate

By Peter Mishler | November 28, 2023

Benny Safdie on Capturing Life on Film

Benny Safdie on Capturing Life on Film

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 28, 2023

Booker Prize Winner Paul Lynch on the Fundamental Dignity of the Individual

Booker Prize Winner Paul Lynch on the Fundamental Dignity of the Individual

“Literary style should be a way of knowing how the world is met in its unfolding.”

By Peter Murphy | November 27, 2023

Writing “Women of a Certain Age.” A Roundtable on Crafting Older Female Characters in Fiction

Writing “Women of a Certain Age.” A Roundtable on Crafting Older Female Characters in Fiction

Lisa Gornick Hosts a Conversation with Julia Alvarez, Fiona Davis, Andrea Lee, and Elizabeth Strout

By Lisa Gornick | November 27, 2023

Deepa Anappara and Taymour Soomro on Origin Stories

Deepa Anappara and Taymour Soomro on Origin Stories

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 27, 2023

Elegies of Sorrow and the Crow: How to Process Grief and Loss Through Storytelling

Elegies of Sorrow and the Crow: How to Process Grief and Loss Through Storytelling

Caroline Hardaker on Max Porter, Elizabeth Barrett Browning, Yoko Agawa, and More

By Caroline Hardaker | November 22, 2023

Best Reviewed
Books of the Week

  • Stay Alive: Berlin, 1939-1945
  • Under Water
  • Paradiso 17
  • The Plans I Have for You
  • In Search of Now: The Science of the Present Moment
  • Stephen Sondheim: Art Isn't Easy

Amy Kurzweil on Text, Image, AI, and Artistic Translation

By Amy Kurzweil | November 22, 2023

K-Ming Chang On Pushing Every Sentence To Its Furthest Point

By The Maris Review | November 22, 2023

Dr. Jessica Kirzane on Translating Yiddish Literature

By History of Literature | November 22, 2023

Naomi Alderman on Creating a Fictional Tech Dystopia

Naomi Alderman on Creating a Fictional Tech Dystopia

Jane Ciabattari Talks to the Author of The Future

By Jane Ciabattari | November 21, 2023

Brit Marling on Writing Women Who Get to the End of Their Stories

Brit Marling on Writing Women Who Get to the End of Their Stories

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 21, 2023

Censoring Kids’ Worlds: Laurie Hertzel on the Danger of Banning Books for Children

Censoring Kids’ Worlds: Laurie Hertzel on the Danger of Banning Books for Children

A Love Letter to Judy Blume, Maurice Sendak, and the Other Authors that Defined Her Youth

By Laurie Hertzel | November 20, 2023

Whitney Hanson on Smartphone Poetry and Generational Anxiety

Whitney Hanson on Smartphone Poetry and Generational Anxiety

In Conversation with Andrew Keen on Keen On

By Keen On | November 20, 2023

Ayana Mathis on Prioritizing the People on the Page

Ayana Mathis on Prioritizing the People on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 20, 2023

M.C. Benner Dixon on Creating Persuasive Metaphors

M.C. Benner Dixon on Creating Persuasive Metaphors

“In English, every word, almost, is an efficient little vehicle pointed outward at the wide and literal world.”

By M.C. Benner Dixon | November 17, 2023

On Literary Empathy and the Performative Reading of Palestinian Authors

On Literary Empathy and the Performative Reading of Palestinian Authors

Etaf Rum Considers Reading and Writing During Times of Crisis

By Etaf Rum | November 16, 2023

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    • Justin C. Key: Why Medical School Is The Perfect Training for Writing a ThrillerMarch 23, 2026 by Justin C Key
    • Abuse in the Ashram: Blair Glaser on the Predatory Cult of Baba MuktanandaMarch 23, 2026 by Blair Glaser
    • Stay Alive: Berlin, 1939-1945
    • The Best Reviewed Books of the Week
    • "Mr Buruma s book while triggered by old photos and letters from Leo s time…"
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