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What Does It Mean to Write after Having Children?

What Does It Mean to Write after Having Children?

Lightsey Darst on the Eternal, Fleeting Moments of New Motherhood

By Lightsey Darst | August 31, 2023

Hilary Leichter on Time and Re-Reading

Hilary Leichter on Time and Re-Reading

In Conversation with Maris Kreizman on The Maris Review

By The Maris Review | August 31, 2023

Why the Rise of Morally Gray Women In Fiction Is Good For All of Us

Why the Rise of Morally Gray Women In Fiction Is Good For All of Us

Megan Barnard on the Deliciously Unlikable Yet Complex Female Protagonist

By Megan Barnard | August 30, 2023

Apocalypse Now: Why It’s Cathartic To Read About the End of the World

Apocalypse Now: Why It’s Cathartic To Read About the End of the World

Yume Kitasei on Reading and Writing Through Ongoing Catastrophe

By Yume Kitasei | August 30, 2023

The Real-Life Poetry of Gardening

The Real-Life Poetry of Gardening

Tess Taylor on the Ancient Genre of Garden Poems and the Connective Power of Working with Plants

By Tess Taylor | August 29, 2023

Megan Kamalei Kakimoto On The Many Ways To Tell a Hawaiian Story

Megan Kamalei Kakimoto On The Many Ways To Tell a Hawaiian Story

"The only way to dismantle the perception of a monolithic Hawaiian experience is to uplift a multitude of Hawaiian stories"

By Megan Kamalei Kakimoto | August 29, 2023

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

Anne Lamott on Starting Where You Are

By Talk Easy | August 29, 2023

Daniel Hornsby on the Charisma of a First-Person Narrator

By I'm a Writer But | August 29, 2023

Rebecca Carroll and Jeannine Ouellette on the Art of Memoir

By Memoir Nation | August 28, 2023

Patrick Whitmarsh on Fiction's Response to Existential Crises

Patrick Whitmarsh on Fiction's Response to Existential Crises

From The History of Literature Podcast with Jacke Wilson

By History of Literature | August 28, 2023

Yves Jeffcoat on the Slow Work of Writing That Centers Identity

Yves Jeffcoat on the Slow Work of Writing That Centers Identity

"I am compelled to anatomize my being."

By Yves Jeffcoat | August 25, 2023

Jenn Shapland on Santa Fe and Fear of Cities

Jenn Shapland on Santa Fe and Fear of Cities

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | August 24, 2023

On the Bad Binary of

On the Bad Binary of "Good" and "Bad" Literature

Josh Cook on Taking Back the Idea of "Good Taste" from Cultural Authoritarians

By Josh Cook | August 23, 2023

The Long, Winding, Booby-Trapped, and Occasionally Rewarding Road to Publication

The Long, Winding, Booby-Trapped, and Occasionally Rewarding Road to Publication

Lou Mathews on a Hell of a Journey

By Lou Mathews | August 23, 2023

Questioning Authority and Story: Emily Tesh, Vajra Chandrasekera, and Sophie Strand

Questioning Authority and Story: Emily Tesh, Vajra Chandrasekera, and Sophie Strand

Tor Presents: Voyage Into Genre S03E02

By Tor Presents: Voyage into Genre | August 23, 2023

Unspendable Currency: Edgar Kunz on Making Ends Meet As a Poet

Unspendable Currency: Edgar Kunz on Making Ends Meet As a Poet

"The job makes the real work possible. The place you live is only as good as the life it allows."

By Edgar Kunz | August 22, 2023

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Page 74 of 263
    • William J. Mann on Rumors, the Press, and the Black Dahlia Murder's Enigmatic PlayersJanuary 27, 2026 by William J. Mann
    • Val McDermid on Why She Starts New Novels in JanuaryJanuary 27, 2026 by Val McDermid
    • How Agatha Christie Played the "Game-within-the-Game" in 'The Murder of Roger Ackroyd'January 27, 2026 by John Curran
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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