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Emily Greenhouse on the Whole Self

Emily Greenhouse on the Whole Self

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | January 28, 2025

Why Absolute Truth is Still Worth Pursuing In a Narrative-Driven World

Why Absolute Truth is Still Worth Pursuing In a Narrative-Driven World

Jay Nicorvo on Separating Fact From Perception While Writing a True Crime Memoir

By Jay Nicorvo | January 27, 2025

Jack Torrance and Me: On Writing and Self-Loathing in <em>The Shining</em>

Jack Torrance and Me: On Writing and Self-Loathing in The Shining

Maggie Su: "Just as part of Jack will always remain at the Overlook, my shadow is still part of me."

By Maggie Su | January 27, 2025

Alan Shapiro on Inspiration

Alan Shapiro on Inspiration

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 27, 2025

Connie Hale and Ellen Sussman on Writing Retreats

Connie Hale and Ellen Sussman on Writing Retreats

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 27, 2025

Gemma Tizzard on Researching for Historical Fiction

Gemma Tizzard on Researching for Historical Fiction

“It’s not a job for the faint of heart, or the impatient. But for those of us with brains that crave this kind of work, it is bliss.”

By Gemma Tizzard | January 24, 2025

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?

By Kristen Arnett | January 23, 2025

The Shape of a Story: On Losing (and Finding) the Plot of Your Novel

By Emma Knight | January 23, 2025

Betty Shamieh on the Next Generation of Palestinian Fiction

By Betty Samieh | January 22, 2025

“When I Quit Drinking I Quit Writing.” Matthew Nienow on Stumbling Back Into Poetic Vulnerability

“When I Quit Drinking I Quit Writing.” Matthew Nienow on Stumbling Back Into Poetic Vulnerability

“I wrote into that darkness because that kind of honesty was the only thing that felt right.”

By Matthew Nienow | January 22, 2025

Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets

Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets

In Conversation with Lena Crown on Awakeners

By awakeners | January 22, 2025

Trump 2.0: What the Book World Should Do Now

Trump 2.0: What the Book World Should Do Now

An Essay Series by Josh Cook on How We Should Respond to the New Administration

By Josh Cook | January 21, 2025

Sara Sligar on Modernizing an 18th-Century Literary Cult Classic

Sara Sligar on Modernizing an 18th-Century Literary Cult Classic

Jane Ciabattari Talks to the Author of “Vantage Point”

By Jane Ciabattari | January 21, 2025

Lee Wind on Creating the Heroes You Want to See in the World

Lee Wind on Creating the Heroes You Want to See in the World

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | January 21, 2025

David Wroblewski on Writing by Brute Force

David Wroblewski on Writing by Brute Force

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 21, 2025

Erika Swyler on Worldbuilding as Set Design

Erika Swyler on Worldbuilding as Set Design

“Remember that every bit of worldbuilding that makes it to the page adds to the set, and stage space is limited.”

By Erika Swyler | January 17, 2025

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Page 65 of 351
    • Adrian Van Young on Growing Up in the Metal Scene and Finding His Way to Crime FictionOctober 13, 2026 by Adrian Van Young
    • A Home Inspector's Guide to Haunted Houses, Courtesy of D.M. PulleyOctober 13, 2026 by D. M. Pulley
    • Pen as Sword: Elizabeth Kostova on Killing Off CharactersOctober 13, 2026 by Elizabeth Kostova
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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