Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

The Author of Class Takes the Lit Hub Questionnaire

By Stephanie Land | November 7, 2023

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

On Crime Storytelling and Why Aiming for Closure Can Be Problematic

By Lindsay Hunter | November 7, 2023

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Literature's Porous Borders: Where Fiction Ends and Reality Begins

Salar Abdoh on Love, War and the Historical Forces That Inspire Art

By Salar Abdoh | November 7, 2023

Marina Abramović on Her Expansive View of Art-Making

Marina Abramović on Her Expansive View of Art-Making

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | November 7, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

"I may not know exactly where I’m going when I start a piece of writing, but I’m sure I can find my way"

By Virginia Pye | November 6, 2023

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Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

By Memoir Nation | November 6, 2023

Shane McCrae on the Music of the Poetic Line

By Shane McCrae | November 3, 2023

Jesse David Fox On Cheap Laughs

By The Maris Review | November 2, 2023

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More

By Diana Helmuth | October 31, 2023

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

Adrian Van Young on the Monstrous Stories That Shaped Him

By Adrian Van Young | October 31, 2023

What Are Thriller Writers Truly Afraid Of?

What Are Thriller Writers Truly Afraid Of?

Danielle Trussoni Talks with Four Authors on How Their Fears Make it into Their Fiction

By Danielle Trussoni | October 31, 2023

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

“Leisure, Labor, Reticence, Violence”: What Horror Films Can Teach Us About Poetry

Justin Phillip Reed Considers Craft and Alienation on the Screen and on the Page

By Justin Phillip Reed | October 31, 2023

Michael Lewis on Watching Sam Bankman-Fried

Michael Lewis on Watching Sam Bankman-Fried

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | October 31, 2023

Tim O'Brien on Letting the World Decide What He'll Read Next

Tim O'Brien on Letting the World Decide What He'll Read Next

The Author of America Fantastica Takes the Lit Hub Questionnaire

By Literary Hub | October 30, 2023

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

Isabel Cañas on the Gothic and Drawing from Everyday Monsters

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 30, 2023

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