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Anne Lamott on Secrets

Anne Lamott on Secrets

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 29, 2024

Elwin Cotman on Creating New Forms

Elwin Cotman on Creating New Forms

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 29, 2024

Nell Irvin Painter on Writing About Anything (and Everything)

Nell Irvin Painter on Writing About Anything (and Everything)

A Call to Authors and Publishers Alike

By Nell Irvin Painter | April 26, 2024

Gareth Russell on Hampton Court

Gareth Russell on Hampton Court

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 25, 2024

How Music and Verse Can Spark Literary Passion in Reluctant Readers

How Music and Verse Can Spark Literary Passion in Reluctant Readers

Alicia D. Williams on the Many Written and Oral Forms a Story Can Take

By Alicia D. Williams | April 24, 2024

When Writing Your Novel (Maybe) Manifests Your Breakup

When Writing Your Novel (Maybe) Manifests Your Breakup

Hazel Hayes on Seeing Her Characters’ Relationship Problems Mirror Her Own

By Hazel Hayes | April 24, 2024

Best Reviewed
Books of the Week

  • Departure(s)
  • The Flower Bearers
  • Eating Ashes
  • Every One Still Here: Stories
  • Once There Was a Town: The Memory Books of a Lost Jewish World
  • The Typewriter and the Guillotine: An American Journalist, a German Serial Killer, and Paris on the Eve of WWII

The Pilgrim’s (Lack of) Progress, Or, Sorry I Took So Long to Finish My Novel, Or, On the Value of Restarting

By Justin Taylor | April 23, 2024

Yan Lianke Wants You to Stop Describing Him As China’s Most Censored Author

By Yan Lianke | April 23, 2024

Sasha Vasilyuk on the Price of Secrecy in Russia and Ukraine

By Jane Ciabattari | April 23, 2024

Marie Mutsuki Mockett on Writing About Sex

Marie Mutsuki Mockett on Writing About Sex

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 22, 2024

Stacey D'Erasmo on the Art of Intimacy

Stacey D'Erasmo on the Art of Intimacy

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 22, 2024

How Much is Enough? On the Writerly Balance Between Money and Time

How Much is Enough? On the Writerly Balance Between Money and Time

For Novelist Ryan Chapman, “There are wants, and there are needs.”

By Ryan Chapman | April 19, 2024

An Oasis in the Desert: Why Libraries Are the Best Places to Write

An Oasis in the Desert: Why Libraries Are the Best Places to Write

Rahul Mehta Considers the Virtues of Public Space as Writing Space

By Rahul Mehta | April 19, 2024

Writing As Labor: Doing More With Less, Together

Writing As Labor: Doing More With Less, Together

David Hill on the Myth of the Middle Class Writer

By David Hill | April 18, 2024

My “Friend” Keeps Sending Me Their Writing and I Need It To Stop: Am I the Literary Asshole?

My “Friend” Keeps Sending Me Their Writing and I Need It To Stop: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | April 18, 2024

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

Facing That Which Haunts You: Ethel Rohan on Writing About Grief

“For most of my life, I’ve suffered in shame and silence while the men who hurt me got away scot-free.”

By Ethel Rohan | April 18, 2024

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Page 55 of 263
    • From Romance to Thrillers to Horror—and Back AgainJanuary 28, 2026 by L. S. Stratton
    • Women in Espionage:
      A Reading List
      January 28, 2026 by Rhys Bowen
    • Nalini Singh on the Many Character Archetypes of Cozies, Noir, and ThrillersJanuary 28, 2026 by Nalini Singh
    • Departure(s)
    • The Best Reviewed Books of the Week
    • "Slim and stark Barnes s prose is largely stripped bare it resembles a tall ship…"
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