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Craft and Advice
Alan Shapiro on Inspiration
In Conversation with Mitzi Rapkin on the First Draft Podcast
By
First Draft: A Dialogue on Writing
| January 27, 2025
Connie Hale and Ellen Sussman on Writing Retreats
From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| January 27, 2025
Gemma Tizzard on Researching for Historical Fiction
“It’s not a job for the faint of heart, or the impatient. But for those of us with brains that crave this kind of work, it is bliss.”
By
Gemma Tizzard
| January 24, 2025
Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| January 23, 2025
The Shape of a Story: On Losing (and Finding) the Plot of Your Novel
Emma Knight: “As the character in this story, I’ve evolved at least to this extent: it’s no longer plot I’m afraid of.”
By
Emma Knight
| January 23, 2025
Betty Shamieh on the Next Generation of Palestinian Fiction
The Author of “Too Soon” Considers Her Novel in Relation to Etaf Rum, Hala Alyan, and the Politics of Influence
By
Betty Samieh
| January 22, 2025
Best Reviewed
Books of the Week
“When I Quit Drinking I Quit Writing.” Matthew Nienow on Stumbling Back Into Poetic Vulnerability
By
Matthew Nienow
| January 22, 2025
Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets
By
awakeners
| January 22, 2025
Trump 2.0: What the Book World Should Do Now
By
Josh Cook
| January 21, 2025
Sara Sligar on Modernizing an 18th-Century Literary Cult Classic
Jane Ciabattari Talks to the Author of “Vantage Point”
By
Jane Ciabattari
| January 21, 2025
Lee Wind on Creating the Heroes You Want to See in the World
From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner
By
Memoir Nation
| January 21, 2025
David Wroblewski on Writing by Brute Force
In Conversation with Mitzi Rapkin on the First Draft Podcast
By
First Draft: A Dialogue on Writing
| January 21, 2025
Erika Swyler on Worldbuilding as Set Design
“Remember that every bit of worldbuilding that makes it to the page adds to the set, and stage space is limited.”
By
Erika Swyler
| January 17, 2025
How to Talk About Your Own Book
Maris Kreizman’s Advice (to Herself) on Self-Promotion
By
Maris Kreizman
| January 16, 2025
The Annotated Nightstand: What Aria Aber Is Reading Now, and Next
Featuring Han Kang, Isabella Hammad, Alice Notley, and Others
By
Diana Arterian
| January 16, 2025
The Danger of Lowering Your Heart’s Volume: On the Writing of Ross Gay and Amy Leach
Criticism by Jane Zwart, From the Latest Issue of “Image” Magazine
By
Jane Zwart
| January 15, 2025
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Page 50 of 336
The Race to Get Inside a Brazilian Prison to Interview an International Pop Star Fugitive
April 7, 2026
by
Christopher McDougall
The Night Kate Crane Watched the Story of Her Father's Murder Unfold as an Episode of 'Homicide'
April 7, 2026
by
Kate Crane
Ed Lin on Writing a Novel About the Plight of Filipino Migrant Workers in Taiwan
April 7, 2026
by
Ed Lin
The Best Reviewed Books of the Week
"rench bring us directly into her characters heads The mystery is as much about their…"