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  • Craft and Criticism
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Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”

By George Makari | April 11, 2024

Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media

Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media

Henriette Lazaridis on Rachel Cusk, “My Big Fat Greek Wedding,” and Writing a Novel Where Greeks Speak for Themselves

By Henriette Lazaridis | April 11, 2024

Against Journaling: Dennis Tang on the Joys of Not Writing It All Down

Against Journaling: Dennis Tang on the Joys of Not Writing It All Down

“Don’t be afraid of losing touch with the past. After all, you were there, living it.”

By Dennis Tang | April 11, 2024

Phil Jones on Why We Read Samuel Johnson

Phil Jones on Why We Read Samuel Johnson

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 11, 2024

Real People, Real Pain: On the Ethics of Telling True Stories of Trauma

Real People, Real Pain: On the Ethics of Telling True Stories of Trauma

Philip Eil Considers the Potentially Sensitive Nature of Book Promotion

By Philip Eil | April 10, 2024

What Do You Get When You Cross the Contemporary Novel with Nature Writing?

What Do You Get When You Cross the Contemporary Novel with Nature Writing?

Fiona Williams on Using Every Literary Tool Available to Us

By Fiona Williams | April 10, 2024

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

A Woman Out of Time: Rebecca Solnit on Mary Shelley’s Dystopian Sci-Fi Novel The Last Man

By Rebecca Solnit | April 9, 2024

Katrina Carrasco on the Importance of Female Physicality in Fiction

By Katrina Carrasco | April 9, 2024

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | April 9, 2024

Jo Livingstone on Not Believing in Anachronism

Jo Livingstone on Not Believing in Anachronism

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | April 9, 2024

Clare Beams on Harmful Good Intentions

Clare Beams on Harmful Good Intentions

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | April 9, 2024

Riot, Grrrls: Marisa Crawford on Why Feminist Lit and 1990s Girl Culture Need More Critical Attention

Riot, Grrrls: Marisa Crawford on Why Feminist Lit and 1990s Girl Culture Need More Critical Attention

Eleanor Whitney in Conversation with the Editor of “The Weird Sister Collection”

By Eleanor Whitney | April 8, 2024

What Fiction Writing Shares With Psychotherapy

What Fiction Writing Shares With Psychotherapy

Emily Howes Considers the Similarities Between Two Therapeutic Practices

By Emily Howes | April 8, 2024

Naomi Kanakia on Social Responsibility in Fiction

Naomi Kanakia on Social Responsibility in Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 8, 2024

Lily Brooks-Dalton on Creating Hope

Lily Brooks-Dalton on Creating Hope

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 8, 2024

Cynthia Leitich Smith and Shaun Taylor-Corbett on Audiobook Collaboration

Cynthia Leitich Smith and Shaun Taylor-Corbett on Audiobook Collaboration

In conversation with Jo Reed on Behind the Mic

By Behind the Mic | April 8, 2024

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Page 50 of 256
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    • The Ghosts of Inch BeachOctober 29, 2025 by Carlene O'Connor
    • Raising the Devil: Parenting, Control, and Horror Fiction’s Obsession with Sinister ChildrenOctober 29, 2025 by Brian Asman
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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