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Rachel Syme Loves a Good Yarn

Rachel Syme Loves a Good Yarn

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | August 11, 2026

Writing a Novel and Hiking a Mountain Are Pretty Similar, Actually

Writing a Novel and Hiking a Mountain Are Pretty Similar, Actually

Leila Renee on Climbing a Mountain with Her Sister

By Leila Renee | August 6, 2026

Generational Storytelling: Writing For My Grandmother and My Daughter

Generational Storytelling: Writing For My Grandmother and My Daughter

Margrét Ann Thors on Honoring Her Icelandic Heritage in Her Debut Novel

By Margrét Ann Thors | August 5, 2026

Rumpelstiltskin is My Unlikely Writing Companion

Rumpelstiltskin is My Unlikely Writing Companion

Louise Nealon on the Chaos of Her Creativity

By Louise Nealon | August 5, 2026

The City With a Stroller: Why Babies (and Mothers) Are the Best Flâneurs

The City With a Stroller: Why Babies (and Mothers) Are the Best Flâneurs

Emily McBride Considers the Different Ways Mothers and Children Inhabit Urban Space

By Emily McBride | August 4, 2026

Orna Guralnik on Listening for the Unconscious

Orna Guralnik on Listening for the Unconscious

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | August 4, 2026

Best Reviewed
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  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Chelsea Rathburn on the Unexpected Beauty of the “Research Dead-End”

By Chelsea Rathburn | July 31, 2026

Am I the Asshole For Wanting to Switch Writers’ Groups?

By Kristen Arnett | July 30, 2026

One Man’s Crazy Scheme to Create a New County in Northern Ireland

By Jan Carson | July 30, 2026

Gwendoline Riley on Mark Van Doren's <em>Shakespeare</em>

Gwendoline Riley on Mark Van Doren's Shakespeare

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 29, 2026

What Happens When Literary Passion Leads to Physical Illness?

What Happens When Literary Passion Leads to Physical Illness?

Max Lawton In Praise of Writing and Translating That Consumes Us To the Fullest

By Max Lawton | July 28, 2026

How Translating Korean Literature Made Me a Better Fiction Writer

How Translating Korean Literature Made Me a Better Fiction Writer

Lizzie Buehler on Incorporating Techniques From Literary Translation Into Her Writing Practice

By Lizzie Buehler | July 28, 2026

Sarah Stillman on Finding the Story

Sarah Stillman on Finding the Story

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | July 28, 2026

Michael Cunningham on the Question of Scale in Writing

Michael Cunningham on the Question of Scale in Writing

“It’s only a question of whether you’re looking through a telescope or a microscope.“

By Michael Cunningham | July 24, 2026

Why Writing Feels So Hard (and How to Make it Easier)

Why Writing Feels So Hard (and How to Make it Easier)

April Dávila on the Neuroscience Behind Writer’s Block and What We Can Do to Conquer It

By April Dávila | July 22, 2026

Why We Need More Woman-Centric Retellings of <em>The Odyssey</em>

Why We Need More Woman-Centric Retellings of The Odyssey

“We are like Penelope, unraveling Homer’s tale for our own purposes.”

By Mary Helen Specht | July 21, 2026

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    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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