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Break to Sing: Seven New Poetry Collections to Read in July

Break to Sing: Seven New Poetry Collections to Read in July

Rebecca Morgan Frank Recommends Victoria Chang, Anna Journey, Phillip B. Williams, and More

By Rebecca Morgan Frank | July 2, 2026

Jenny Jackson on the Literary Potential of Gossip

Jenny Jackson on the Literary Potential of Gossip

“If you find yourself hanging on every word of a whispered story, chances are the reader will too.”

By Jenny Jackson | July 2, 2026

Why Soledad Acosta de Samper’s <em>Dolores</em> is a Unicorn in the Practice of Translation

Why Soledad Acosta de Samper’s Dolores is a Unicorn in the Practice of Translation

Sara Abadía Alvarado on Preserving and Protecting the Original Translation of the Novel

By Sara Abadía Alvarado | July 1, 2026

Christina Anderson on Wallace Shawn’s <em>The Fever</em>

Christina Anderson on Wallace Shawn’s The Fever

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 1, 2026

The Reluctant Researcher: How I Ended Up Writing a Historical Novel

The Reluctant Researcher: How I Ended Up Writing a Historical Novel

Ethan Joella: “Writing what you know is only limited by what you take the time to know.”

By Ethan Joella | June 30, 2026

Walter Mosley: “A Novel is Not a Machine”

Walter Mosley: “A Novel is Not a Machine”

On the Pleasure of Encountering Something New

By Walter Mosley | June 26, 2026

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Ye Hui on the Innovations of Translation, His Writing Process, and the Relief of Finishing a Poem

By Peter Mishler | June 26, 2026

Save It for Your Novel: The Difference in Writing for the Screen Versus the Page

By Spiro Skentzos | June 25, 2026

Jessica M. Goldstein on the Inherent Optimism of Time Travel

By Jessica M. Goldstein | June 24, 2026

How F. Scott Fitzgerald’s Overlooked Story Collection Helped Me Write My LA Novel

How F. Scott Fitzgerald’s Overlooked Story Collection Helped Me Write My LA Novel

Krista Diamond on What She Learned From the East Coast Writer’s California Sojourn

By Krista Diamond | June 23, 2026

Feeling Creatively Stuck? Try Following the Routines of Other Types of Artists

Feeling Creatively Stuck? Try Following the Routines of Other Types of Artists

Aigner Loren Wilson on Finding Unexpected Ways Out of Your Ruts

By Aigner Loren Wilson | June 22, 2026

Sorry, Chicago Manual of Style: I’m Not Going to Stop Capitalizing the Word “Earth”

Sorry, Chicago Manual of Style: I’m Not Going to Stop Capitalizing the Word “Earth”

Meg Charlton on Aliens, Sayaka Murata’s Earthlings, and Style Guides

By Meg Charlton | June 22, 2026

How Do You Create Surprise When Your Story’s Ending Is Inevitable?

How Do You Create Surprise When Your Story’s Ending Is Inevitable?

Ayşe Papatya Bucak on What to Do When Your Characters Can't Do Much

By Ayşe Papatya Bucak | June 22, 2026

My Newly Successful Friend Won’t Stop Namedropping: Is She the Literary Asshole?

My Newly Successful Friend Won’t Stop Namedropping: Is She the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | June 18, 2026

Follow Awe: Deb Olin Unferth on Writing Speculative Fiction

Follow Awe: Deb Olin Unferth on Writing Speculative Fiction

“Eco-fiction feels to me like the most important thing I could be writing right now.”

By Deb Olin Unferth | June 18, 2026

How to Write a Novel in 33 Days

How to Write a Novel in 33 Days

Catriona Silvey on Turning an Inspiration-Fueled First Draft Into a Coherent Novel

By Catriona Silvey | June 18, 2026

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    • 8 Horror Novels That Use the Ocean as Their SettingAugust 12, 2026 by Hannah Whitten
    • 5 Mysteries That Reimagine Death and the AfterlifeAugust 12, 2026 by Isabelle Spotts
    • Why Kevin Wade Chose to Write Crime Novels Set in the North Shore of Long IslandAugust 12, 2026 by Kevin Wade
    • Awake Awake
    • The Best Reviewed Books of the Week
    • "Confident and unsettling I m forced to be coy because there s a mystery at…"
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