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Dancing on the Page: Sulaiman Addonia on Writing in the Footsteps of Pina Bausch

Dancing on the Page: Sulaiman Addonia on Writing in the Footsteps of Pina Bausch

“I could sense the freedom, yet I didn’t dare to march towards it.”

By Sulaiman Addonia | March 28, 2025

How Tennis Helped Me Manage the Competitive Beast That Was Ruining My Writing

How Tennis Helped Me Manage the Competitive Beast That Was Ruining My Writing

Kayla Kumari Upadhyaya on Finding Balance Between Drive and Acceptance

By Kayla Kumari Upadhyaya | March 27, 2025

Earthquake Anxiety: <br>Living—and Writing—in Fear of the Big One

Earthquake Anxiety:
Living—and Writing—in Fear of the Big One

Emma Pattee on Capturing the Human Feeling of Disaster

By Emma Pattee | March 27, 2025

Poet, Mystic, Warrior, Visionary: Reimagining the Life and Art of an Aztec Ruler Lost in Myth

Poet, Mystic, Warrior, Visionary: Reimagining the Life and Art of an Aztec Ruler Lost in Myth

Ilan Stavans Resurrects Nezahualcóyotl from Fragments of Fact and Fiction

By Ilan Stavans | March 27, 2025

Sabrina Imbler on the Power of Collectivity

Sabrina Imbler on the Power of Collectivity

In Conversation with Jordan Kisner on Thresholds

By Thresholds | March 26, 2025

Ann Powers and Alison Fensterstock on <em>How Women Made Music</em>

Ann Powers and Alison Fensterstock on How Women Made Music

in conversation with AudioFile's Jo Reed

By Behind the Mic | March 26, 2025

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Fergus McIntosh: “One Wonders”

By The Critic and Her Publics | March 25, 2025

Two Ways To Tell the Same Truth: Navigating the Boundary Between Fact and Fiction

By Binnie Kirshenbaum | March 25, 2025

The Power of Absence: How Loss Can Help Fuel a Creative Life

By Sanam Mahloudji | March 25, 2025

On Our Problematic Obsession with First-Love Stories

On Our Problematic Obsession with First-Love Stories

Emily Usher Wants Stories That Show Crushes in All Their Messy, Authentic Glory

By Emily Usher | March 24, 2025

Farid Matuk on Mirroring, Poetic Artifice, and Complicating Sensuality in Verse

Farid Matuk on Mirroring, Poetic Artifice, and Complicating Sensuality in Verse

The Author of “Moon Mirrored Indivisible” in Conversation with Poets.org

By Literary Hub | March 24, 2025

Mai Der Vang on Generational Trauma

Mai Der Vang on Generational Trauma

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 24, 2025

Lidia Yuknavitch on Shapeshifting

Lidia Yuknavitch on Shapeshifting

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 24, 2025

“Retribution Masquerading As Art.” Elissa Altman on the Problem with Revenge Writing

“Retribution Masquerading As Art.” Elissa Altman on the Problem with Revenge Writing

“Does it move the story forward? Does it belong in my journal?”

By Elissa Altman | March 21, 2025

A Wordless Writer: Samina Ali on How Writing a Memoir Helped Her Brain Trauma Heal

A Wordless Writer: Samina Ali on How Writing a Memoir Helped Her Brain Trauma Heal

The Author of “Pieces You’ll Never Get Back” Reflects on the Aphasia that Forever Altered Her Life and Art

By Samina Ali | March 21, 2025

Am I the Literary Asshole for Demanding More Semicolons in My Books?

Am I the Literary Asshole for Demanding More Semicolons in My Books?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | March 20, 2025

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Page 27 of 262
    • Why to Watch This January: 'The Secret Agent'January 15, 2026 by Radha Vatsal
    • A Brief, Disturbing History of Universal MonstersJanuary 15, 2026 by Keith Roysdon
    • Big Pimpin: Pimps in Black Pop Culture from the 1970s to the Early 2000sJanuary 15, 2026 by Michael Gonzales
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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