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Colum McCann on the Arts in Question

Colum McCann on the Arts in Question

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | April 7, 2025

Write-Minded on Miranda July's <em>All Fours</em>

Write-Minded on Miranda July's All Fours

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | April 7, 2025

Maggie Smith on Embracing Imperfection, in Life and Art

Maggie Smith on Embracing Imperfection, in Life and Art

“The mistake, in fact, is a gift. The break, or breakdown, allows for a breakthrough.”

By Maggie Smith | April 4, 2025

Memory, Care, Protection: Crystal Hana Kim on the Many Uses of Food

Memory, Care, Protection: Crystal Hana Kim on the Many Uses of Food

“To pay attention to the meal in front of you is to commit your hope and faith.”

By Crystal Hana Kim | April 4, 2025

Exploring the Traumas of the Armenian Genocide

Exploring the Traumas of the Armenian Genocide

Nancy Kricorian on Memorializing Her Armenian Grandmother in a Novel

By Nancy Kricorian | April 4, 2025

In Which a Couple of Actual Literary Assholes Make an Appearance

In Which a Couple of Actual Literary Assholes Make an Appearance

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Literary Behavior

By Kristen Arnett | April 3, 2025

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

More Than Just a Toy: What an Old Dollhouse Taught Me About Storytelling and Family

By Elise Hooper | April 3, 2025

Fighting for One’s Fiction: How Norman Mailer Taught Me to Defend My Plots

By Anthony Giardina | April 2, 2025

Can Writers Ever Remember How to Read For Fun?

By Amy Shearn | April 1, 2025

On the Challenge of Writing a Sequel to a Twenty-Year-Old Novel

On the Challenge of Writing a Sequel to a Twenty-Year-Old Novel

Lee Martin Needed a New Story to Explain the Ending of “The Bright Forever”

By Lee Martin | April 1, 2025

Art, Liberty, Diverse Voices: Six Poets on Why University Presses Are Critical for Poetry

Art, Liberty, Diverse Voices: Six Poets on Why University Presses Are Critical for Poetry

Featuring Ariana Benson, Peter Gizzi, Romeo Oriogun, V. Penelope Pelizzon, Greg Rappleye, and Jess Smith

By Literary Hub | March 31, 2025

Karen Russell on What the Magic Offers

Karen Russell on What the Magic Offers

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 31, 2025

Kate McKean on Your Feelings About Publishing

Kate McKean on Your Feelings About Publishing

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 31, 2025

Dancing on the Page: Sulaiman Addonia on Writing in the Footsteps of Pina Bausch

Dancing on the Page: Sulaiman Addonia on Writing in the Footsteps of Pina Bausch

“I could sense the freedom, yet I didn’t dare to march towards it.”

By Sulaiman Addonia | March 28, 2025

How Tennis Helped Me Manage the Competitive Beast That Was Ruining My Writing

How Tennis Helped Me Manage the Competitive Beast That Was Ruining My Writing

Kayla Kumari Upadhyaya on Finding Balance Between Drive and Acceptance

By Kayla Kumari Upadhyaya | March 27, 2025

Earthquake Anxiety: <br>Living—and Writing—in Fear of the Big One

Earthquake Anxiety:
Living—and Writing—in Fear of the Big One

Emma Pattee on Capturing the Human Feeling of Disaster

By Emma Pattee | March 27, 2025

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Page 26 of 261
    • Elevate Your January Weekend Viewing with a Crime Movie set in the South of FranceJanuary 9, 2026 by Olivia Rutigliano
    • "The Stephen King of His Time": Richard Matheson's Remarkable Career on Page and ScreenJanuary 9, 2026 by Keith Roysdon
    • 8 Cozy Mysteries Perfect for Middle Grade and Young Adult ReadersJanuary 9, 2026 by Taryn Souders
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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