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Why Julia May Jonas Didn’t Name Her Main Character

Why Julia May Jonas Didn’t Name Her Main Character

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 17, 2022

Sheila Heti on Feeling Estranged from the Facts of Existence

Sheila Heti on Feeling Estranged from the Facts of Existence

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | February 17, 2022

Deep, Deep Time: On the “Cosmic Realism” of Kathryn Davis

Deep, Deep Time: On the “Cosmic Realism” of Kathryn Davis

Anthony Domestico Offers a Close Reading of an Underappreciated Novelist

By Anthony Domestico | February 16, 2022

“Dialogue is Embarrassing.” Sarah Manguso on Finally Writing a Novel

“Dialogue is Embarrassing.” Sarah Manguso on Finally Writing a Novel

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | February 16, 2022

What Science Journalism Taught Me About Writing Fiction

What Science Journalism Taught Me About Writing Fiction

Sara Goudarzi on Shifting Gears Between Fact and Fiction

By Sara Goudarzi | February 14, 2022

Anahid Nersessian’s Close Reading of Keats’s “Ode on a Grecian Urn”

Anahid Nersessian’s Close Reading of Keats’s “Ode on a Grecian Urn”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 14, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Live at the Red Ink Series: On Loneliness in the Writing Life

By Literary Hub | February 14, 2022

Matthew Specktor on the Cultural Memory of Los Angeles

By Big Table | February 14, 2022

Chuck Klosterman on Writing Criticism for a Wide Audience

By Chuck Klosterman | February 11, 2022

How Narrative Therapy Can Help Us Take Ownership of Our Stories

How Narrative Therapy Can Help Us Take Ownership of Our Stories

Veronica Esposito on Finding the Connections in Human Experiences

By Veronica Esposito | February 11, 2022

How Stories Emerge from Afro-Diasporic Collective Memory

How Stories Emerge from Afro-Diasporic Collective Memory

Destiny O. Birdsong on Language as a Currency of Knowledge

By Destiny O. Birdsong | February 11, 2022

Antoine Wilson on Finding a Piece of His New Novel in a 20-Year-Old File

Antoine Wilson on Finding a Piece of His New Novel in a 20-Year-Old File

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | February 10, 2022

How Reading John McPhee’s Book on Tennis Helped Me Write About Skateboarding

How Reading John McPhee’s Book on Tennis Helped Me Write About Skateboarding

Jonathan Russell Clark Finds Better Ways to Describe the Action

By Jonathan Russell Clark | February 9, 2022

How to Finally Stop Obsessing About That Thing That Keeps You up at Night

How to Finally Stop Obsessing About That Thing That Keeps You up at Night

Cognitive Neuroscientist Moshe Bar on Labeling and “Writing Therapy”

By Moshe Bar | February 9, 2022

Kiese Laymon on Revision as Love, and Love as Revision

Kiese Laymon on Revision as Love, and Love as Revision

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | February 9, 2022

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

The Author of The Violin Conspiracy Talks to Jane Ciabattari

By Jane Ciabattari | February 9, 2022

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    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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